Linked e-resources
Details
Table of Contents
Preface
1 Introduction: Manga as "Banal Memory"
Part I: Historicizing Political Manga
2 Kitazawa Rakuten as Popular Culture Provocateur: Modern Manga Images and Riotous Democracy in Early Twentieth-Century Japan
3 Early Meiji Manga: the Political Cartoons of Kanagaki Robun and Kawanabe Kyôsai
Part II: Postwar Manga as History
4 Bodies of Anger: Atomic Survivors in Nakazawa Keiji's Hit By Black Rain Manga
5 Redacting Japanese History: Ishinomori Shōtarō's Graphic Narratives
6 Manga, History and Telling Stories of the Past: Narrative Strategies in Shanaô Yoshitsune
Part III: Decoding and Recoding History: Manga Reception and Parody
7 Decoding "Hate the Korean Wave" and "Introduction to China": A Case Study of Japanese University Students
8 History as Sexualized Parody: Love and Sex Between Nation in Axis Power Hetalia
Conclusion: Reassessing Manga History, Resituating Manga in History.
1 Introduction: Manga as "Banal Memory"
Part I: Historicizing Political Manga
2 Kitazawa Rakuten as Popular Culture Provocateur: Modern Manga Images and Riotous Democracy in Early Twentieth-Century Japan
3 Early Meiji Manga: the Political Cartoons of Kanagaki Robun and Kawanabe Kyôsai
Part II: Postwar Manga as History
4 Bodies of Anger: Atomic Survivors in Nakazawa Keiji's Hit By Black Rain Manga
5 Redacting Japanese History: Ishinomori Shōtarō's Graphic Narratives
6 Manga, History and Telling Stories of the Past: Narrative Strategies in Shanaô Yoshitsune
Part III: Decoding and Recoding History: Manga Reception and Parody
7 Decoding "Hate the Korean Wave" and "Introduction to China": A Case Study of Japanese University Students
8 History as Sexualized Parody: Love and Sex Between Nation in Axis Power Hetalia
Conclusion: Reassessing Manga History, Resituating Manga in History.