Projections of memory [electronic resource] : romanticism, modernism, and the aesthetics of film / Richard I. Suchenski.
2016
PN1995 .S7795 2016eb
Linked e-resources
Linked Resource
Online Access
Details
Title
Projections of memory [electronic resource] : romanticism, modernism, and the aesthetics of film / Richard I. Suchenski.
ISBN
9780190274139 (electronic book)
Published
New York, NY : Oxford University Press, 2016.
Language
English
Description
1 online resource (320 pages) : illustrations
Item Number
10.1093/acprof:oso/9780190274108 doi
Call Number
PN1995 .S7795 2016eb
Dewey Decimal Classification
791.4301
Summary
'Projections of Memory' argues that the long-form modernist art film of the twentieth century is more or less the direct conceptual descendant of the eighteenth-century Romantic traditions that originated in literature, painting, and architecture.
Note
'Projections of Memory' argues that the long-form modernist art film of the twentieth century is more or less the direct conceptual descendant of the eighteenth-century Romantic traditions that originated in literature, painting, and architecture.
Bibliography, etc. Note
Includes bibliographical references and index.
Access Note
Access limited to authorized users.
Source of Description
Description based on print version record.
Available in Other Form
Projections of memory.
Linked Resources
Online Access
Record Appears in
Online Resources > Ebooks
All Resources
All Resources
Table of Contents
Introduction
The era of the image has arrived
Towards the temenos: Gregory Markopoulos' Eniaios
"We are no longer innocent": the long form aesthetic of Jacques Rivette
The sense of an ending: Jean-Luc Godard's Histoire(s) du cinéma
Conclusion.
The era of the image has arrived
Towards the temenos: Gregory Markopoulos' Eniaios
"We are no longer innocent": the long form aesthetic of Jacques Rivette
The sense of an ending: Jean-Luc Godard's Histoire(s) du cinéma
Conclusion.