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Table of Contents
Introduction
The era of the image has arrived
Towards the temenos: Gregory Markopoulos' Eniaios
"We are no longer innocent": the long form aesthetic of Jacques Rivette
The sense of an ending: Jean-Luc Godard's Histoire(s) du cinéma
Conclusion.
The era of the image has arrived
Towards the temenos: Gregory Markopoulos' Eniaios
"We are no longer innocent": the long form aesthetic of Jacques Rivette
The sense of an ending: Jean-Luc Godard's Histoire(s) du cinéma
Conclusion.