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Table of Contents
Abstract; Acknowledgement; Table of Contents; List of Figures; 1. Introduction; 1.1. Research Questions; 1.2. Purposes of the Dissertation; 1.3. Method of the Thesis Work; 1.4. Relations to Some Theories and Previous Works; 1.5. Overview of Chapters; 2. Pasar Gambir of Batavia: Hybrid Architecture and Space of Encounter for the Indies People; 2.1. Pasar Gambir as the Liveliest Colonial Exhibition in Batavia; 2.1.1. Pasar Gambir in the King's Square; 2.1.2. A Blend of a Pasar and a Fair: the Beginning of Negotiation at Pasar Gambir; 2.1.3. The Organizer of Pasar Gambir
2.2. The Hybrid Architecture of Pasar Gambir2.2.1. The Plan of Pasar Gambir; 2.2.2. The Gate to Pasar Gambir; 2.2.3. The Pavilion of Pasar Gambir: the Power of Hybrid Architecture; 2.2.4. Pasar Gambir Fair as an Open Experimental Platform of Hybrid Architecture; 2.2.5. Hybridity in the Making of Pasar Gambir; 2.3. Pasar Gambir and the Experience of Modernity; 2.3.1. Urban Modernity in Batavia; 2.3.2. Electric Lighting and Advertisements as Signs of Modernity in Pasar Gambir; 2.4. Space of Encounter in Pasar Gambir; 2.5. The Reception of Pasar Gambir's Visitors
2.6. Pasar Gambir in Indonesian and Sino-Malay Literature2.7. Pasar Gambir and the Gaze: Celebrating Colonial Modernity and Defining the 'Self'; 3. The Dutch Pavilion at the 1931 International Colonial Exhibition in Paris: Contrasting Authenticity and Modernity; 3.1. The Last International Colonial Exhibition and the Narrative of Progress; 3.2. The Layout of the Exhibition and the National Pavilions; 3.3. The Architecture of the Dutch Pavilion and the Role of the Dutch as a 'Mediator'; 3.3.1. The Architects of the Dutch Pavilion
3.3.2. The Burden of Representation: Hybrid Architecture of the Dutch Pavilion3.3.3. Constructing the Culture of the Colony; 3.4. The Story of the Gates at the Dutch Pavilion ; 3.5. The Ethnographic Showcase at the Dutch Pavilion; 3.6. Architecture in the Colony: From Mute and Autistic Architecture to a New Synthesis; 3.6.1. The Javanese Pendopo at The Work of Two Dutch Architects; 3.6.2. Beyond the Balinese Gates and the Javanese Pendopo; 3.7. Visitors at the 1931 Paris International Colonial Exhibition
4. Taman Mini Indonesia Indah: the Rebirth of Indonesian Vernacular Architecture after Independence4.1. Architecture and Spatial Politics of the Young Nation; 4.2. Beautiful Indonesia in Miniature Park: the Return to Local Culture; 4.3. The Site of Taman Mini; 4.4. Interpreting the Site of Taman Mini: From Mandala Structure to Nation Building; 4.5. Some Precedents for Open-Air Ethnographic Park; 4.6. The Gate to Taman Mini; 4.7. The Architecture of Taman Mini's Pavilions; 4.8. The Scale of Taman Mini: Amplifying the Cultural Construction; 4.9. The Reception of Taman Mini's Visitors
2.2. The Hybrid Architecture of Pasar Gambir2.2.1. The Plan of Pasar Gambir; 2.2.2. The Gate to Pasar Gambir; 2.2.3. The Pavilion of Pasar Gambir: the Power of Hybrid Architecture; 2.2.4. Pasar Gambir Fair as an Open Experimental Platform of Hybrid Architecture; 2.2.5. Hybridity in the Making of Pasar Gambir; 2.3. Pasar Gambir and the Experience of Modernity; 2.3.1. Urban Modernity in Batavia; 2.3.2. Electric Lighting and Advertisements as Signs of Modernity in Pasar Gambir; 2.4. Space of Encounter in Pasar Gambir; 2.5. The Reception of Pasar Gambir's Visitors
2.6. Pasar Gambir in Indonesian and Sino-Malay Literature2.7. Pasar Gambir and the Gaze: Celebrating Colonial Modernity and Defining the 'Self'; 3. The Dutch Pavilion at the 1931 International Colonial Exhibition in Paris: Contrasting Authenticity and Modernity; 3.1. The Last International Colonial Exhibition and the Narrative of Progress; 3.2. The Layout of the Exhibition and the National Pavilions; 3.3. The Architecture of the Dutch Pavilion and the Role of the Dutch as a 'Mediator'; 3.3.1. The Architects of the Dutch Pavilion
3.3.2. The Burden of Representation: Hybrid Architecture of the Dutch Pavilion3.3.3. Constructing the Culture of the Colony; 3.4. The Story of the Gates at the Dutch Pavilion ; 3.5. The Ethnographic Showcase at the Dutch Pavilion; 3.6. Architecture in the Colony: From Mute and Autistic Architecture to a New Synthesis; 3.6.1. The Javanese Pendopo at The Work of Two Dutch Architects; 3.6.2. Beyond the Balinese Gates and the Javanese Pendopo; 3.7. Visitors at the 1931 Paris International Colonial Exhibition
4. Taman Mini Indonesia Indah: the Rebirth of Indonesian Vernacular Architecture after Independence4.1. Architecture and Spatial Politics of the Young Nation; 4.2. Beautiful Indonesia in Miniature Park: the Return to Local Culture; 4.3. The Site of Taman Mini; 4.4. Interpreting the Site of Taman Mini: From Mandala Structure to Nation Building; 4.5. Some Precedents for Open-Air Ethnographic Park; 4.6. The Gate to Taman Mini; 4.7. The Architecture of Taman Mini's Pavilions; 4.8. The Scale of Taman Mini: Amplifying the Cultural Construction; 4.9. The Reception of Taman Mini's Visitors