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Table of Contents
Chapter 1. Introduction; Telory D. Arendell
Part I. Site/Sight and the Body
Chapter 2. Location, Location, Location; Melanie Kloetzel
Chapter 3. The Feminist Body Reimagined in Two Dimensions; Cara Hagan
Chapter 4. Hollywood Cinematic Excess; Frances Hubbard
Part II. Movement Beyond the I/Eye
Chapter 5. Loïe Fuller and the Poetics of Light, Colour, and Rhythm; Izabella Pruska-Oldenhof
Chapter 6. Naked Came I/Eye; Peter Sparling
Part III. Querying Praxis
Chapter 7. Theoretical Duet; Telory D. Arendell and Ruth Barnes
Chapter 8. Wrestling the Beast... and Not Getting Too Much Blood on Your Skirt; Heather Coker
Chapter 9. Turning Around the Gaze in the Age of Technological Proliferation; Ruth Barnes
Part IV. Bodies, Spaces, Camera
Chapter 10. Videodance; Angela Kassel
Chapter 11. Maya Deren; Telory D. Arendell
Chapter 12. Valentine for Dance Historians; Carol-Lynne Moore
Part V. New Technologies
Chapter 13. Moving In(To) 3D; Philip Szporer and Marlene Millar
Chapter 14. Conclusion; Ruth Barnes.
Part I. Site/Sight and the Body
Chapter 2. Location, Location, Location; Melanie Kloetzel
Chapter 3. The Feminist Body Reimagined in Two Dimensions; Cara Hagan
Chapter 4. Hollywood Cinematic Excess; Frances Hubbard
Part II. Movement Beyond the I/Eye
Chapter 5. Loïe Fuller and the Poetics of Light, Colour, and Rhythm; Izabella Pruska-Oldenhof
Chapter 6. Naked Came I/Eye; Peter Sparling
Part III. Querying Praxis
Chapter 7. Theoretical Duet; Telory D. Arendell and Ruth Barnes
Chapter 8. Wrestling the Beast... and Not Getting Too Much Blood on Your Skirt; Heather Coker
Chapter 9. Turning Around the Gaze in the Age of Technological Proliferation; Ruth Barnes
Part IV. Bodies, Spaces, Camera
Chapter 10. Videodance; Angela Kassel
Chapter 11. Maya Deren; Telory D. Arendell
Chapter 12. Valentine for Dance Historians; Carol-Lynne Moore
Part V. New Technologies
Chapter 13. Moving In(To) 3D; Philip Szporer and Marlene Millar
Chapter 14. Conclusion; Ruth Barnes.