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000762946 019__ $$a951221970
000762946 020__ $$a9783319244037$$q(electronic book)
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000762946 24500 $$aCreativity and universality in language /$$cMirko Degli Esposti, Eduardo G. Altmann, François Pachet, editors.
000762946 264_1 $$aSwitzerland :$$bSpringer International Publishing,$$c[2016]
000762946 264_4 $$c©2016
000762946 300__ $$a1 online resource (xii, 208 pages).
000762946 336__ $$atext$$btxt$$2rdacontent
000762946 337__ $$acomputer$$bc$$2rdamedia
000762946 338__ $$aonline resource$$bcr$$2rdacarrier
000762946 4901_ $$aLecture notes in morphogenesis
000762946 504__ $$aIncludes bibliographical references.
000762946 5050_ $$aPreface; Acknowledgments; Contents; Contributors; Introduction to the Volume; 1 Why This Volume?; 2 Contributions; Statistical Laws in Linguistics; 1 Introduction; 2 Examples and Observations; 3 Interpretation of Linguistic Laws; 4 Statistical Analysis; 4.1 Graphical Approaches; 4.2 Likelihood Methods; 4.3 Critical Discussion; 5 Relation Between Laws; 6 Discussion; References; Complexity and Universality in the Long-Range Order of Words; 1 Introduction; 2 Universality in the Entropy of Word Ordering; 3 An Entropy Measure of Semantic Information
000762946 5058_ $$a3.1 Information in the Distribution of Individual Words3.2 Extraction of Semantic Networks; 4 Conclusions; References; Symmetry and Universality in Language Change; 1 Three Notions of Universality in Language Change; 2 Asymmetry in Language Change: The Universal S-Curve; 3 Language Change with No Asymmetry; 4 Asymmetry in Interaction Frequencies; 5 Asymmetry in Social Attitudes; 6 Asymmetry in the Variants; 7 Asymmetry in Variant Frequencies; 8 Discussion; References; Dynamics on Expanding Spaces: Modeling the Emergence of Novelties; 1 Introduction; 2 Simon-Like Models
000762946 5058_ $$a2.1 Plain Simon's Model2.2 Simon's Model with Time Dependent Sublinear Invention Probability; 2.3 Simon's Model with Memory; 3 The Sample-Space Reducing Model; 4 Hoppe Urn Model; 5 Urn Model with Triggering; 5.1 Model Definition; 5.2 Computation of the Asymptotic Heaps' and Zipf's Laws; 6 Conclusions; References; Generating Non-plagiaristic Markov Sequences with Max Order Sampling; 1 Introduction; 2 A Simple Example; 3 Building the No-Good Automaton; 4 Sampling Sequences with a Maximum Order Guarantee; 4.1 Background on Belief Propagation; 4.2 A Factor Graph Model of Max Order Sequences
000762946 5058_ $$a4.3 Sampling Max Order Sequences5 Evaluation; 5.1 Solution Loss; 5.2 Sampling; 5.3 Example; 6 Conclusion; References; Integrating Purpose and Revision into a Computational Model of Literary Generation; 1 Introduction; 2 Computational and Cognitive Models of the Writing Task; 2.1 Poetry Generation; 2.2 Narrative Generation; 2.3 Cognitive Accounts of Writing; 3 Story Construction Based on Purpose-Driven Revision; 4 Systems that Follow the ICTIVS Model; 4.1 WASP; 4.2 STellA; 4.3 A System for Composition of Narrative Discourse; 5 Discussion; 6 Conclusions; References
000762946 5058_ $$aDetection of Computer-Generated Papers in Scientific Literature1 Introduction; 2 Texts Generation; 2.1 Markov Chain; 2.2 Handwritten Probabilistic Context-Free Grammar; 3 Lexical and Stylistics Indices; 3.1 Vocabulary Richness; 3.2 Length and Structure of Sentences; 3.3 Distribution of Word-Type Frequencies; 4 Distance and Hierarchical Clustering; 5 ROUGE Measures; 6 Conclusion; References; Universality of Stylistic Traits in Texts; 1 Introduction; 2 Stylometry; 3 Universality in Authorship Attribution; 4 Experiments; 4.1 Corpus; 4.2 Experimental Settings; 4.3 Results; 5 Conclusion
000762946 506__ $$aAccess limited to authorized users.
000762946 520__ $$aThis book collects research contributions concerning quantitative approaches to characterize originality and universality in language. The target audience comprises researchers and experts in the field but the book may also be beneficial for graduate students. Creativity might be considered as a morphogenetic process combining universal features with originality. While quantitative methods applied to text and music reveal universal features of language and music, originality is a highly appreciated feature of authors, composers, and performers. In this framework, the different methods of traditional problems of authorship attribution and document classification provide important insights on how to quantify the unique features of authors, composers, and styles. Such unique features contrast, and are restricted by, universal signatures, such as scaling laws in word-frequency distribution, entropy measures, long-range correlations, among others. This interplay between innovation and universality is also an essential ingredient of methods for automatic text generation. Innovation in language becomes relevant when it is imitated and spread to other speakers and musicians. Modern digital databases provide new opportunities to characterize and model the creation and evolution of linguistic innovations on historical time scales, a particularly important example of the more general problem of spreading of innovations in complex social systems. This multidisciplinary book combines scientists from various different backgrounds interested in quantitative analysis of variations (synchronic and diachronic) in language and music. The aim is to obtain a deeper understanding of how originality emerges, can be quantified, and propagates.
000762946 650_0 $$aOriginality in literature.
000762946 650_0 $$aLinguistics$$xHistory.
000762946 650_0 $$aHistorical linguistics.
000762946 7001_ $$aEsposti, Mirko Degli,$$eeditor.
000762946 7001_ $$aAltmann, Eduardo G.,$$eeditor.
000762946 7001_ $$aPachet, François,$$eeditor.
000762946 77608 $$iPrint version:$$aDegli Esposti, Mirko$$tCreativity and Universality in Language$$dCham : Springer International Publishing,c2016$$z9783319244013
000762946 830_0 $$aLecture notes in morphogenesis.
000762946 852__ $$bebk
000762946 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-24403-7$$zOnline Access$$91397441.1
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