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000762999 020__ $$a9781137597090$$q(electronic book)
000762999 020__ $$a1137597097$$q(electronic book)
000762999 020__ $$z9781137597083
000762999 035__ $$aSP(OCoLC)ocn951623830
000762999 035__ $$aSP(OCoLC)951623830
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000762999 050_4 $$aPS3619.U43
000762999 08204 $$a813/.6$$223
000762999 1001_ $$aSullivan, Courtney,$$eauthor.
000762999 24514 $$aThe Evolution of the French courtesan novel :$$bfrom de Chabrillan to Colette /$$cCourtney Sullivan.
000762999 264_1 $$aNew York, NY :$$bPalgrave Macmillan,$$c2016.
000762999 300__ $$a1 online resource.
000762999 336__ $$atext$$btxt$$2rdacontent
000762999 337__ $$acomputer$$bc$$2rdamedia
000762999 338__ $$aonline resource$$bcr$$2rdacarrier
000762999 5050_ $$aDedication ; Acknowledgments; Contents; Chapter 1: Introduction; Chapter 2: The Case for the Courtesan Novel Sub-­Genre: Counter-Discourse and Intertextuality in de Chabrillan, de la Bigne, and de Pougy; The Courtesan Sub-Genre; Céleste de Chabrillan: The First Courtesan Novelist; De la Bigne: "La société qui me devait aide et protection, devint ma plus cruelle ennemie"; De Pougy's First Forays into Courtesan Fiction; Chapter 3: De Pougy's Innovative Courtesan Fiction; Chapter 4: Co-opting the Courtesan Persona in the Faux Mémoires de Rigolboche and the Les Usages du demi-monde
000762999 5058_ $$aLes Mémoires de Rigolboche La Rigolbochomanie; The Backlash Against Rigolboche in the Press; Les Usages du demi-monde; Chapter 5: Colette's Courtesan Fiction: The Final Evolution; Codes of the Demi-Monde; La Fin de Chéri: The End of the Doomed Courtesan; Chapter 6: Conclusion; Works Cited; Index
000762999 506__ $$aAccess limited to authorized users.
000762999 520__ $$aThis book is about the autobiographical fictions of nineteenth-century French courtesans. In response to damaging representations of their kind in Zola and Alexandre Dumas' novels, Céleste de Chabrillan, Valtesse de la Bigne, and Liane de Pougy crafted fictions recounting their triumphs as celebrities of the demi-monde and their outcries against the social injustices that pushed them into prostitution. Although their works enjoyed huge success in the second half of the nineteenth century, male writers penned faux-memoirs mocking courtesan novels, and successfully sowed doubt about their authorship in a backlash against the profitable notoriety the novels earned these courtesans. Colette, who did not write from personal experience but rather out of sympathy for the courtesans with whom she socialized, innovated the genre when she wrote three novels exploring the demi-mondaine’s life beyond prostitution and youth.
000762999 588__ $$aOnline resource; title from PDF title page (viewed June 28, 2016).
000762999 650_0 $$aCourtesans$$zFrance$$vFiction.
000762999 651_0 $$aFrance$$xSocial life and customs$$vFiction.
000762999 852__ $$bebk
000762999 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1057/978-1-137-59709-0$$zOnline Access$$91397441.1
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000762999 980__ $$aBIB
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000762999 983__ $$aOnline
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