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Introduction: The Poetics of Chinese Cinema
Poetics and Precedents; Avenues of Investigation
Five Lessons from Stealth Poetics; Norms and Forms; Rules-No, Guidelines; Long Takes, Long Lenses; Asian, Minimally?; All Together Now
Red Poetics: The Films of the Chinese Cultural Revolution Revolutionary Model Operas; The "Model Works"; Genealogy of a Hybrid; The Three Prominences; Cinematic Poetics of the Model Works; Conclusion
Renewal of Song Dynasty Landscape Painting Aesthetics Combined with a Contemplative Modernism in the Early Work of Chen Kaige
Poetics of Two Springs: Fei Mu versus Tian Zhuangzhuang; Two Springs; Two Traditions; The Traditional Modernist; Staging; Editing; Voiceover; Conclusion: The Lost Opportunity
Remaking Ozu: Hou Hsiao-hsien's Café Lumière; Café Lumière Prism; Café Lumière segmentation; Yoko's Six Days; Into the Dark: Tokyo Twilight; Reunion with Jiang Wenye: A Glimpse of the Empire's Edge; Into the Light: A Coda
Hong Kong Puzzle Films: The Persistence of TraditionPuzzles and Practices: Peter Chan and Wu Xia (2011); Screenwriting Practices at Milkyway Image; A Complex Case: Blind Detective (Johnnie To, 2013); Reconsiderations
Can Poetics Break Bricks?; The Poetics of Spectacle; The Poetics of Slowness; The Politics of Poetics
Poetics of Parapraxis and Reeducation: The Hong Kong Cantonese Cinema in the 1950s; From the Cantonese Theatre to the Cantonese Style of Narration; The Union Film Enterprise and Its Parapractical Poetics In the Face of Demolition: A Narrative of ReeducationConclusion
China as Documentary: Some Basic Questions (Inspired by Michelangelo Antonioni and Jia Zhangke); A Contested Documentary About China; The Frontal Pose; Photographic or Documentary Realism as Loss or the Place of the Subject; Documentary Realism in the Age of Digital Synchronisation: Preliminary Remarks on Jia Zhangke.
Poetics and Precedents; Avenues of Investigation
Five Lessons from Stealth Poetics; Norms and Forms; Rules-No, Guidelines; Long Takes, Long Lenses; Asian, Minimally?; All Together Now
Red Poetics: The Films of the Chinese Cultural Revolution Revolutionary Model Operas; The "Model Works"; Genealogy of a Hybrid; The Three Prominences; Cinematic Poetics of the Model Works; Conclusion
Renewal of Song Dynasty Landscape Painting Aesthetics Combined with a Contemplative Modernism in the Early Work of Chen Kaige
Poetics of Two Springs: Fei Mu versus Tian Zhuangzhuang; Two Springs; Two Traditions; The Traditional Modernist; Staging; Editing; Voiceover; Conclusion: The Lost Opportunity
Remaking Ozu: Hou Hsiao-hsien's Café Lumière; Café Lumière Prism; Café Lumière segmentation; Yoko's Six Days; Into the Dark: Tokyo Twilight; Reunion with Jiang Wenye: A Glimpse of the Empire's Edge; Into the Light: A Coda
Hong Kong Puzzle Films: The Persistence of TraditionPuzzles and Practices: Peter Chan and Wu Xia (2011); Screenwriting Practices at Milkyway Image; A Complex Case: Blind Detective (Johnnie To, 2013); Reconsiderations
Can Poetics Break Bricks?; The Poetics of Spectacle; The Poetics of Slowness; The Politics of Poetics
Poetics of Parapraxis and Reeducation: The Hong Kong Cantonese Cinema in the 1950s; From the Cantonese Theatre to the Cantonese Style of Narration; The Union Film Enterprise and Its Parapractical Poetics In the Face of Demolition: A Narrative of ReeducationConclusion
China as Documentary: Some Basic Questions (Inspired by Michelangelo Antonioni and Jia Zhangke); A Contested Documentary About China; The Frontal Pose; Photographic or Documentary Realism as Loss or the Place of the Subject; Documentary Realism in the Age of Digital Synchronisation: Preliminary Remarks on Jia Zhangke.