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000763664 019__ $$a962435867
000763664 020__ $$a9789463007269$$q(electronic book)
000763664 020__ $$a9463007261$$q(electronic book)
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000763664 035__ $$aSP(OCoLC)ocn961909620
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000763664 049__ $$aISEA
000763664 050_4 $$aPN1993.7
000763664 08204 $$a791.43071/1$$223
000763664 1001_ $$aCardullo, Bert,$$eauthor.
000763664 24510 $$aTeaching sound film :$$ba reader /$$cR.J. Cardullo.
000763664 264_1 $$aRotterdam :$$bSense Publishers,$$c2016.
000763664 300__ $$a1 online resource
000763664 336__ $$atext$$btxt$$2rdacontent
000763664 337__ $$acomputer$$bc$$2rdamedia
000763664 338__ $$aonline resource$$bcr$$2rdacarrier
000763664 504__ $$aIncludes bibliographical references and index.
000763664 5050_ $$aADVANCE PRAISE FOR TEACHING SOUND FILM: A READER; TABLE OF CONTENTS; LIST OF FIGURES; INTRODUCTION; CHAPTER 1: THE FRONT PAGE, DRAMATIC FARCE, AND AMERICAN (FILM) COMEDY; BIBLIOGRAPHY; CHAPTER 2: PERIOD PIECE, PEACE PICTURE: RENOIR'S LA GRANDE ILLUSION RECONSIDERED; BIBLIOGRAPHY; CHAPTER 3: THE REAL FASCINATION OF CITIZEN KANE: WELLES'S MASTERPIECE RECONSIDERED; BIBLIOGRAPHY; CHAPTER 4: ITALIAN NEOREALISM, VITTORIO DE SICA, AND BICYCLE THIEVES; BIBLIOGRAPHY; CHAPTER 5: DEATH WISH, CHILD'S WHIM, AUTEURIST WILL: BOYER AND CLÉMENT'S FORBIDDEN GAMES REPLAYED; BIBLIOGRAPHY
000763664 5058_ $$aCHAPTER 6: CIRCUMSTANTIAL EVIDENCE: AKIRA KUROSAWA AND THE SEVEN SAMURAIBIBLIOGRAPHY; CHAPTER 7: THE ARTISTIC ACHIEVEMENT OF FEDERICO FELLINI: THE NIGHTS OF CABIRIA AS EXEMPLUM; BIBLIOGRAPHY; CHAPTER 8: FARCE, DREAMS, AND DESIRE: BILLY WILDER'S SOME LIKE IT HOT RE-VIEWED; BIBLIOGRAPHY; CHAPTER 9: MARRIED TO THE JOB: ERMANNO OLMI'S IL POSTO; BIBLIOGRAPHY; CHAPTER 10: NEOREALIST ART VS. OPERATIC ACTING IN PASOLINI'S MAMMA ROMA; BIBLIOGRAPHY; CHAPTER 11: TRAINSPOTTING: JIŘÍ MENZEL'S CLOSELY WATCHED TRAINS; BIBLIOGRAPHY
000763664 5058_ $$aCHAPTER 12: THOUGHT, FEELING, AND THE CINEMA OF FRANCIS FORD COPPOLA: THE RAIN PEOPLE AS EXEMPLUMBIBLIOGRAPHY; CHAPTER 13: THE FALL OF BÉATRICE, THE SALVATION OF POMME: SIMULTANEITY AND STILLNESS IN GORETTA'S THE LACEMAKER; BIBLIOGRAPHY; CHAPTER 14: WOODEN ALLEN, OR MADE IN MANHATTAN; BIBLIOGRAPHY; CHAPTER 15: MEMORIES ARE MADE OF THIS: RAINER WERNER FASSBINDER'S VERONIKA VOSS; BIBLIOGRAPHY; CHAPTER 16: CASE REOPENED: MRINAL SEN'S THE CASE IS CLOSED; BIBLIOGRAPHY; CHAPTER 17: EPIPHANIES: NANNI MORETTI'S THE MASS IS ENDED; BIBLIOGRAPHY
000763664 5058_ $$aCHAPTER 18: COMEDIES ARE PROVERBIAL: ERIC ROHMER'S BOYFRIENDS AND GIRLFRIENDSBIBLIOGRAPHY; CHAPTER 19: FINNISH CHARACTER: AKI KAURISMÄKI'S ARIEL; BIBLIOGRAPHY; CHAPTER 20: LAW OF THE JUNGLE: IDRISSA OUÉDRAOGO'S TILAÏ; BIBLIOGRAPHY; CHAPTER 21: MARÍA NOVARO'S DANZÓN IN LIGHT OF THE CINEMA OF PEDRO ALMODÓVAR; BIBLIOGRAPHY; CHAPTER 22: WORK, FAMILY, AND POLITICS: KEN LOACH'S RIFF-RAFF; BIBLIOGRAPHY; CHAPTER 23: THE USES OF HISTORY: CHEN KAIGE'S FAREWELL, MY CONCUBINE; BIBLIOGRAPHY; CHAPTER 24: THE PRISON-HOUSE OF SEXUALITY: TOMÁS GUTIÉRREZ ALEA'S STRAWBERRY AND CHOCOLATE; BIBLIOGRAPHY
000763664 5058_ $$aCHAPTER 25: LOWER DEPTHS, HIGHER PLANES: THE DARDENNES' LA PROMESSEBIBLIOGRAPHY; CHAPTER 26: WIND AND DUST: ABBAS KIAROSTAMI'S THE WIND WILL CARRY US; BIBLIOGRAPHY; CHAPTER 27: OF HUMAN BONDAGE AND MALE INDULGENCE: AMOS GITAI'S KADOSH; BIBLIOGRAPHY; CHAPTER 28: LATINO ART THROUGH EUROPEAN EYES, OR AGAINST THE AMERICAN EVIL EYE: BARBET SCHROEDER'S OUR LADY OF THE ASSASSINS; BIBLIOGRAPHY; CHAPTER 29: ALL ABOUT MY, YOUR, THEIR MOTHER: ANDRUCHA WADDINGTON'S ME, YOU, THEM; BIBLIOGRAPHY; CHAPTER 30: THE SPACE OF TIME, THE SOUND OF SILENCE: TSAI MING-LIANG'S WHAT TIME IS IT THERE?; BIBLIOGRAPHY
000763664 506__ $$aAccess limited to authorized users.
000763664 588__ $$aOnline resource; title from PDF title page (viewed November 10, 2016)
000763664 650_0 $$aMotion pictures$$xStudy and teaching (Higher)
000763664 852__ $$bebk
000763664 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-94-6300-726-9$$zOnline Access$$91397441.1
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000763664 982__ $$aEbook
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