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000763700 019__ $$a961910202
000763700 020__ $$a9781349949076$$q(electronic book)
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000763700 035__ $$aSP(OCoLC)ocn961933753
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000763700 050_4 $$aPN760.5-PN769
000763700 08204 $$a821.7
000763700 24500 $$aColeridge's Ancient Mariner$$h[electronic resource].
000763700 260__ $$bPalgrave Macmillan$$c2016.
000763700 300__ $$a1 online resource.
000763700 336__ $$atext$$btxt$$2rdacontent
000763700 337__ $$acomputer$$bc$$2rdamedia
000763700 338__ $$aonline resource$$bcr$$2rdacarrier
000763700 5050_ $$aPreface -- Taking Bearings, Setting a Course -- What Does the Poem Do? -- As a Poem of the Imagination -- Wordsworth as Collaborator and Contributor -- The Shadow Cast by Wordsworth -- Revision, Gloss, Choice -- A Reputation by Default -- Today and To Do -- Appendix 1: "Ancient Mariner "1798 Version -- Appendix 2: Reading "Alice du Clós", and for the Birds -- Notes -- Bibliography -- Index.
000763700 506__ $$aAccess limited to authorized users.
000763700 520__ $$aThis is the first book-length study to read the "Ancient Mariner" as "poetry," in Coleridge's own particular sense of the word. Coleridge's complicated relationship with the "Mariner" as an experimental poem lies in its origin as a joint project with Wordsworth. J. C. C. Mays traces the changes in the several versions published in Coleridge's lifetime and shows how Wordsworth's troubled reaction to the poem influenced its subsequent interpretation. This is also the first book to situate the "Mariner" in the context of the entirety of Coleridge's prose and verse, now available in the Bollingen Collected edition and Notebooks; that is, not only in relation to other poems like "The Ballad of the Dark Ladiè" and "Alice du Clós," but also to ideas in his literary criticism (especially Biographia Literaria), philosophy, and theology. Using a combination of close reading and broad historical considerations, reception theory, and book history, Mays surveys the poem's continuing life in illustrated editions and educational textbooks; its passage through the vicissitudes of New Criticism and critical theory; and, in a final chapter, its surprising affinities with some experimental poems of the present time. .
000763700 650_0 $$aLiterature.
000763700 650_0 $$aLiterature, Modern$$y19th century.
000763700 650_0 $$aPoetry.
000763700 650_0 $$aBritish literature.
000763700 720__ $$aMays, J. C. C.
000763700 77608 $$iPrint version:$$z9781137602572$$z1137602570$$w(OCoLC)945949210
000763700 852__ $$bebk
000763700 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1057/978-1-349-94907-6$$zOnline Access$$91397441.1
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000763700 980__ $$aEBOOK
000763700 980__ $$aBIB
000763700 982__ $$aEbook
000763700 983__ $$aOnline
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