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Dedication; Acknowledgments; Contents; Chapter 1: Introduction; Part I: Neorealism: What Is and Is Not; Chapter 2: The Italian Roots ofßNeorealism; Cinematographic Origins; Literary Origins; Chapter 3: Neorealism andßFilms; Melodrama andßGenuine Authenticity; On-Location Shooting: War-Damaged Urban Centers; Nonprofessional Actors andßIntergenerational Sets ofßCharacters; Chapter 4: Neorealism andßLiterature; Local Identities; Female Voices inßtheßPostwar Period; Chapter 5: Emotions inßNeorealism; Cinema andßEmotions; Literature andßEmotions; Notes; Part II: Compassion: What Is and Is Not.

Chapter 6: The Nature ofßCompassionChapter 7: Compassion andßPity, Sympathy, andßEmpathy; Chapter 8: Occurrences ofßCompassion; Chapter 9: Rethinking Compassion inßLight ofßNeorealism; The Three Beliefs ofßAristotle andßNussbaum; Knowledge andßEmotion; Chapter 10: The Discourse ofßCompassion During Fascism; Mussolini; Carlo Bernari; Conclusions; Part III: Charting Landscapes of Compassion During World War II; Chapter 11: Compassion inßGinzburg's Depictions ofßFamily Relationships; Ginzburg's Compassion Within theßFamily; Ginzburg's Compassion Outside theßFamily; Conclusions.

Chapter 12: Moravia's Representation ofßCompassionCompassion andßSocial Conditions; Compassion andßConcept ofßNationality; Compassion inßtheßCountryside andßCity; Compassion andßAtrocity; Compassion andßGender Differences; Conclusions; Chapter 13: Women, Compassion, andßtheßResistance Movement inßL'Agnese va aßmorire; Agnese asßtheßSubject ofßCompassion; Agnese asßtheßObject ofßCompassion; Conclusions; Chapter 14: Compassion andßtheßConstruction ofßWomen's Identity inßRome, Open City; Pina's Compassion; Laura's andßMarina's Compassion; Conclusions; Part IV: Compassion and the Holocaust.

Chapter 15: Compassion inßSurvival inßAuschwitzDeceptive Compassion; Compassion; Conclusions; Chapter 16: Compassion inßSmoke over Birkenau; Gustine, Lili, Maria, andßBruna's Compassion; Conclusions; Bibliography; Index.

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