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Table of Contents
Acknowledgments; Introduction; Bibliography; Contents; 1: Myth andßPhilosophy onßStage: Connections, Divisions, andßInterdependence; 1.1 What Do WeßMean by Myth? TheßStudy of Myth in General; 1.2 The Study ofßMyth inßPhilosophy; 1.3 The Study ofßMyth inßPlato; 1.4 Methodology andßGenre; 2: Mutual Scaffolding: Unifying Myth andßPhilosophy; 2.1 Mutual Scaffolding (A Dialectical Unity); Dialogue Analysis; 3: Myth andßInstruction: Meno; 3.1 Introducing theßTrickster; 3.2 Theme Introduction, Setting, andßNarrative Mode; 3.3 Myth Analysis; 3.4 The Philosophical Arguments.
3.5 Mutual Scaffolding3.6 Plot Structure; 3.7 Character Selection; 3.7.1 Meno; 3.7.2 Socrates; 3.7.3 The Slave; 3.8 Conclusion; 4: Myth andßPartnership: Protagoras; 4.1 Radical Typology; 4.2 Theme Introduction, Setting, andßNarrative Mode; 4.3 Myth Analysis; 4.4 The Philosophical Arguments; 4.5 Mutual Scaffolding; 4.6 Plot Structure; 4.7 Character Selection; 4.7.1 Socrates; 4.7.2 Protagoras; 4.7.3 The Attendees; 4.8 Conclusion; 5: Myth andßRegulation: Phaedo; 5.1 Binary Systems andßMyth; 5.2 Theme Introduction, Setting, andßNarrative Mode; 5.3 Myth Analysis.
5.4 The Philosophical Arguments5.5 Mutual Scaffolding; 5.6 Plot Structure; 5.7 Character Selection; 5.7.1 Phaedo; 5.7.2 Echecrates; 5.7.3 Socrates; 5.7.4 Simmias andßCebes; 5.8 Conclusion; 6: Myth andßTransition: Phaedrus; 6.1 Cultural Standpoint andßMyth; 6.2 Theme Introduction, Setting, andßNarrative Mode; 6.3 Myth Analysis; 6.4 The Philosophical Arguments; 6.5 Mutual Scaffolding; 6.6 Plot Structure; 6.7 Character Selection ; 6.7.1 Master; 6.7.2 Student; 6.8 Conclusion; 7: The Atlantis Myth andßCultural Identity: Timaeus andßCritias; 7.1 Nationalism and Myth.
7.2 Theme Introduction, Setting, andßNarrative Mode7.3 Myth Aanalysis; 7.4 The Philosophical Arguments; 7.5 Mutual Scaffolding; 7.5.1 Rethinking Recollection; 7.5.2 Revisiting theßIdeal State; 7.5.3 Metaphysics; 7.6 Plot Structure; 7.7 Character Selection; 7.7.1 Socrates; 7.7.2 Critias; 7.7.3 Timaeus; 7.7.4 Hermocrates; 7.7.5 Egypt andßtheßEgyptian Priest; 7.7.6 Solon; 7.7.7 Atlantis; 7.8 Conclusion; 8: Where Does Myth Belong?; Bibliography; Primary Texts; Secondary Texts; Index.
3.5 Mutual Scaffolding3.6 Plot Structure; 3.7 Character Selection; 3.7.1 Meno; 3.7.2 Socrates; 3.7.3 The Slave; 3.8 Conclusion; 4: Myth andßPartnership: Protagoras; 4.1 Radical Typology; 4.2 Theme Introduction, Setting, andßNarrative Mode; 4.3 Myth Analysis; 4.4 The Philosophical Arguments; 4.5 Mutual Scaffolding; 4.6 Plot Structure; 4.7 Character Selection; 4.7.1 Socrates; 4.7.2 Protagoras; 4.7.3 The Attendees; 4.8 Conclusion; 5: Myth andßRegulation: Phaedo; 5.1 Binary Systems andßMyth; 5.2 Theme Introduction, Setting, andßNarrative Mode; 5.3 Myth Analysis.
5.4 The Philosophical Arguments5.5 Mutual Scaffolding; 5.6 Plot Structure; 5.7 Character Selection; 5.7.1 Phaedo; 5.7.2 Echecrates; 5.7.3 Socrates; 5.7.4 Simmias andßCebes; 5.8 Conclusion; 6: Myth andßTransition: Phaedrus; 6.1 Cultural Standpoint andßMyth; 6.2 Theme Introduction, Setting, andßNarrative Mode; 6.3 Myth Analysis; 6.4 The Philosophical Arguments; 6.5 Mutual Scaffolding; 6.6 Plot Structure; 6.7 Character Selection ; 6.7.1 Master; 6.7.2 Student; 6.8 Conclusion; 7: The Atlantis Myth andßCultural Identity: Timaeus andßCritias; 7.1 Nationalism and Myth.
7.2 Theme Introduction, Setting, andßNarrative Mode7.3 Myth Aanalysis; 7.4 The Philosophical Arguments; 7.5 Mutual Scaffolding; 7.5.1 Rethinking Recollection; 7.5.2 Revisiting theßIdeal State; 7.5.3 Metaphysics; 7.6 Plot Structure; 7.7 Character Selection; 7.7.1 Socrates; 7.7.2 Critias; 7.7.3 Timaeus; 7.7.4 Hermocrates; 7.7.5 Egypt andßtheßEgyptian Priest; 7.7.6 Solon; 7.7.7 Atlantis; 7.8 Conclusion; 8: Where Does Myth Belong?; Bibliography; Primary Texts; Secondary Texts; Index.