Linked e-resources
Details
Table of Contents
Popular Music in Eastern Europe; Acknowledgements; Contents; List of Figures; 1 Introduction; From Self-colonisation to Participation in Cosmopolitan Culture; Whose Music?: Reworking Ideology at the Grassroots Level; From Albania to Estonia, From Light Music to Pop-rock: Mapping the Field; Chapter Outline; Notes; Works Cited; Part I State Policies and its Interpretation by Grassroots; 2 Propagated, Permitted or Prohibited? State Strategies to Control Musical Entertainment in the First Two Decades of Socialist Hungary; Structural Changes in Politics and Ideology After 1956; Aesthetic Education
Socialist Mass Culture and Commercialism in Popular MusicConclusions; Notes; Works Cited; 3 Pop-Rock and Propaganda During the Ceaușescu Regime in Communist Romania; Methodology; Historical Evolution of Politics and Music in Communist Romania; The Informal Networks of Influence in the Consumption of Rock Music; Recruiting Rock Music for State Propaganda; 'Cenaclul Flacăra' and the Propaganda Machine; Qualitative Evaluation of the Cultural Impact of Western Music; Conclusions; Works Cited; 4 Estonian Invasion as Western Ersatz-pop; Soviet Culture Industry; Estonian Invasion and Music Business
Making of Ersatz-popConclusions; Notes; Works Cited; 5 The Eagle Rocks: Isolation and Cosmopolitanism in Albania's Pop-Rock Scene; Re-mapping Albania; From Argentina to Israel: Towards a Theoretical Framework; 'Italians' from the Eastern Adriatic; I Want to Watch Pronto, Rafaella; From Light Music to Rock; Meetings at the Lake; Smuggled Goods, Foreign Artists, and Student Protests; Concert in the Year 1988; Re-reading Rock in Communist Albania; Notes; Works Cited; Part II The Function of 'Gatekeepers'; 6 Censorship, Dissent and the Metaphorical Language of GDR Rock
The Infrastructure of GDR Rock and PopTwo Contrasting Faces of the GDR: The Singing Movement and GDR Rock; The Lyricists of GDR Rock; GDR Rock in the 1980s; Conclusions; Notes; Works Cited; 7 Folk Music as a Folk Enemy: Music Censorship in Socialist Yugoslavia; 'Communist' Censorship; The Yugoslav Case; Ideology and Genre Politics; Politics of NCFM; Capitalist Product; We Are All Censors; Coda; Notes; Bibliography; Archive Sources; Works Cited; 8 'The Second Golden Age': Popular Music Journalism during the Late Socialist Era of Hungary; Preliminary Notes
The Golden Age-Hungarian Popular Music Journalism Before 1972State Control in the Silver Age-'Inexpressible Boundaries That Can Be Nevertheless Sensed by Every Decent Person'; 'You Were a Commie Too, Sweetheart': Beyond State Control; A Footnote on the Late Kádárian Public Sphere; Archival Resources; Notes; Works Cited; 9 Youth Under Construction: The Generational Shifts in Popular Music Journalism in the Poland of the 1980s; Methodological Framework; Popular Music in 1980s Poland; Professionals and Amateurs; Genres and Genealogies
Socialist Mass Culture and Commercialism in Popular MusicConclusions; Notes; Works Cited; 3 Pop-Rock and Propaganda During the Ceaușescu Regime in Communist Romania; Methodology; Historical Evolution of Politics and Music in Communist Romania; The Informal Networks of Influence in the Consumption of Rock Music; Recruiting Rock Music for State Propaganda; 'Cenaclul Flacăra' and the Propaganda Machine; Qualitative Evaluation of the Cultural Impact of Western Music; Conclusions; Works Cited; 4 Estonian Invasion as Western Ersatz-pop; Soviet Culture Industry; Estonian Invasion and Music Business
Making of Ersatz-popConclusions; Notes; Works Cited; 5 The Eagle Rocks: Isolation and Cosmopolitanism in Albania's Pop-Rock Scene; Re-mapping Albania; From Argentina to Israel: Towards a Theoretical Framework; 'Italians' from the Eastern Adriatic; I Want to Watch Pronto, Rafaella; From Light Music to Rock; Meetings at the Lake; Smuggled Goods, Foreign Artists, and Student Protests; Concert in the Year 1988; Re-reading Rock in Communist Albania; Notes; Works Cited; Part II The Function of 'Gatekeepers'; 6 Censorship, Dissent and the Metaphorical Language of GDR Rock
The Infrastructure of GDR Rock and PopTwo Contrasting Faces of the GDR: The Singing Movement and GDR Rock; The Lyricists of GDR Rock; GDR Rock in the 1980s; Conclusions; Notes; Works Cited; 7 Folk Music as a Folk Enemy: Music Censorship in Socialist Yugoslavia; 'Communist' Censorship; The Yugoslav Case; Ideology and Genre Politics; Politics of NCFM; Capitalist Product; We Are All Censors; Coda; Notes; Bibliography; Archive Sources; Works Cited; 8 'The Second Golden Age': Popular Music Journalism during the Late Socialist Era of Hungary; Preliminary Notes
The Golden Age-Hungarian Popular Music Journalism Before 1972State Control in the Silver Age-'Inexpressible Boundaries That Can Be Nevertheless Sensed by Every Decent Person'; 'You Were a Commie Too, Sweetheart': Beyond State Control; A Footnote on the Late Kádárian Public Sphere; Archival Resources; Notes; Works Cited; 9 Youth Under Construction: The Generational Shifts in Popular Music Journalism in the Poland of the 1980s; Methodological Framework; Popular Music in 1980s Poland; Professionals and Amateurs; Genres and Genealogies