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Table of Contents
Preface; Acknowledgements; Contents; Contributors; 1 An Introduction to Implementing Digital Preservation Metadata; 1.1 Introduction; 1.2 Digital Preservation Metadata: Useful Information for Long-Term Access to Digital Objects; 1.3 Standards for Digital Preservation Metadata; 1.4 How to Develop a Digital Preservation Metadata Profile; 1.5 Reading Guide to This Book; 1.6 Conclusion; References; 2 How to Develop a Digital Preservation Metadata Profile: Risk and Requirements Analysis; 2.1 Introduction; 2.2 Why Define Requirements?
2.3 Metadata Requirements Analysis as Part of the Digital Preservation System Specification2.4 How to Get to Know Your Requirements; 2.4.1 Principles: Set Global Guidelines; 2.4.2 People: Ask the Experts; 2.4.3 Best Practice: Implement the State-of-the-Art in Digital Preservation; 2.5 Two Reference Frameworks to Get Started: OAIS Information Model, SPOT Risk Assessment Model; 2.5.1 The OAIS Information Model; 2.5.2 The Core Aspects that Mitigate Risks on Digital Objects: The SPOT Model; 2.6 Key Questions at the Level of Each Metadata Element; 2.7 Conclusion; References
3 An Introduction to the PREMIS Data Dictionary for Digital Preservation Metadata3.1 Introduction; 3.2 The PREMIS Data Dictionary; 3.3 The PREMIS Maintenance Activity; 3.4 OAIS and PREMIS; 3.5 PREMIS Data Model; 3.6 PREMIS Goals and Principles; 3.6.1 Scope; 3.6.2 Free and Open; 3.6.3 Technical Neutrality; 3.6.4 Extensibility; 3.6.5 Degrees of Freedom; 3.7 Semantic Units; 3.8 Mapping Preservation Goals to OAIS and PREMIS Semantic Units; 3.9 Conclusion; References; 4 How to Develop a Digital Preservation Metadata Profile: Data Modeling; 4.1 Introduction
4.2 Identifying Entities and Entity Types4.3 Describing the Entities; 4.4 Relating Entities; 4.5 Completing the Logical Data Model; 4.6 The Physical Data Model; 4.7 Customizing Data Models; 4.8 Case Studies; References; 5 Digital Preservation Metadata Practice for Audio-Visual Materials; 5.1 Introduction; 5.2 Composition of Moving Image Objects; 5.2.1 Structure; 5.2.2 Characteristics; 5.3 Use Cases; 5.3.1 Use Case 1: Describe Events and Corresponding Agents in the Process of Reformatting Physical Moving Image Material
5.3.2 Use Case 2: Describe the Creation of Object Tiers and Their Structural Relationships5.3.3 Use Case #3: Describe Significant Properties of Digital Video Objects; 5.3.3.1 Identification and Characterization of a File Object; 5.3.3.2 Identification and Characterization of File Object and Contained Tracks as Bitstream Objects; 5.3.4 Use Case #4: Describe Rendering Environments; 5.4 Implementation Approaches and Complementary Standards; 5.4.1 Reformatting Services; 5.4.2 Libraries and Archives; 5.4.3 Broadcast Archives; 5.4.4 Fine Arts Museums; 5.5 Conclusion; References
2.3 Metadata Requirements Analysis as Part of the Digital Preservation System Specification2.4 How to Get to Know Your Requirements; 2.4.1 Principles: Set Global Guidelines; 2.4.2 People: Ask the Experts; 2.4.3 Best Practice: Implement the State-of-the-Art in Digital Preservation; 2.5 Two Reference Frameworks to Get Started: OAIS Information Model, SPOT Risk Assessment Model; 2.5.1 The OAIS Information Model; 2.5.2 The Core Aspects that Mitigate Risks on Digital Objects: The SPOT Model; 2.6 Key Questions at the Level of Each Metadata Element; 2.7 Conclusion; References
3 An Introduction to the PREMIS Data Dictionary for Digital Preservation Metadata3.1 Introduction; 3.2 The PREMIS Data Dictionary; 3.3 The PREMIS Maintenance Activity; 3.4 OAIS and PREMIS; 3.5 PREMIS Data Model; 3.6 PREMIS Goals and Principles; 3.6.1 Scope; 3.6.2 Free and Open; 3.6.3 Technical Neutrality; 3.6.4 Extensibility; 3.6.5 Degrees of Freedom; 3.7 Semantic Units; 3.8 Mapping Preservation Goals to OAIS and PREMIS Semantic Units; 3.9 Conclusion; References; 4 How to Develop a Digital Preservation Metadata Profile: Data Modeling; 4.1 Introduction
4.2 Identifying Entities and Entity Types4.3 Describing the Entities; 4.4 Relating Entities; 4.5 Completing the Logical Data Model; 4.6 The Physical Data Model; 4.7 Customizing Data Models; 4.8 Case Studies; References; 5 Digital Preservation Metadata Practice for Audio-Visual Materials; 5.1 Introduction; 5.2 Composition of Moving Image Objects; 5.2.1 Structure; 5.2.2 Characteristics; 5.3 Use Cases; 5.3.1 Use Case 1: Describe Events and Corresponding Agents in the Process of Reformatting Physical Moving Image Material
5.3.2 Use Case 2: Describe the Creation of Object Tiers and Their Structural Relationships5.3.3 Use Case #3: Describe Significant Properties of Digital Video Objects; 5.3.3.1 Identification and Characterization of a File Object; 5.3.3.2 Identification and Characterization of File Object and Contained Tracks as Bitstream Objects; 5.3.4 Use Case #4: Describe Rendering Environments; 5.4 Implementation Approaches and Complementary Standards; 5.4.1 Reformatting Services; 5.4.2 Libraries and Archives; 5.4.3 Broadcast Archives; 5.4.4 Fine Arts Museums; 5.5 Conclusion; References