000772212 000__ 02958cam\a2200481Ii\4500 000772212 001__ 772212 000772212 005__ 20230306142530.0 000772212 006__ m\\\\\o\\d\\\\\\\\ 000772212 007__ cr\cn\nnnunnun 000772212 008__ 160628s2016\\\\enk\\\\\ob\\\\001\0\eng\d 000772212 019__ $$a952571235 000772212 020__ $$a9781137513182$$q(electronic book) 000772212 020__ $$a1137513187$$q(electronic book) 000772212 020__ $$z9781137513175 000772212 0247_ $$a10.1057/978-1-137-51318-2$$2doi 000772212 035__ $$aSP(OCoLC)ocn953142481 000772212 035__ $$aSP(OCoLC)953142481$$z(OCoLC)952571235 000772212 040__ $$aAZU$$beng$$erda$$epn$$cAZU$$dOCLCO$$dDKDLA$$dN$T$$dYDXCP$$dN$T$$dOCLCO$$dOCLCF$$dOCLCO$$dEBLCP$$dIDB$$dUAB 000772212 049__ $$aISEA 000772212 050_4 $$aPR736 000772212 08204 $$a822/.91$$223 000772212 1001_ $$aPilný, Ondřej.$$eauthor. 000772212 24514 $$aThe grotesque in contemporary Anglophone drama /$$cOndřej Pilný. 000772212 264_1 $$aLondon :$$bPalgrave Macmillan,$$c[2016] 000772212 264_4 $$c©2016 000772212 300__ $$a1 online resource 000772212 336__ $$atext$$btxt$$2rdacontent 000772212 337__ $$acomputer$$bc$$2rdamedia 000772212 338__ $$aonline resource$$bcr$$2rdacarrier 000772212 347__ $$atext file$$bPDF$$2rda 000772212 504__ $$aIncludes bibliographical references and index. 000772212 5050_ $$a1. Introduction -- 2. Engaging Monsters -- 3. Wild Justice -- 4. Life in a Box -- 5. Mutabilities -- 6. Imagine This -- 7. Afterword. 000772212 506__ $$aAccess limited to authorized users. 000772212 520__ $$aFollowing on from the work of art historians and literary and cultural theorists, this book examines the ways in which varieties of the grotesque function in the plays of Philip Ridley, Mark O'Rowe, Enda Walsh, Suzan-Lori Parks and Tim Crouch. The term 'grotesque' has been frequently applied in commentaries on some of the most exciting contemporary drama, without much further elucidation. By producing visions of an alienated world, engendering simultaneous attraction and repulsion, and often triggering laughter that comes with a chill in the spine, the grotesque attacks both aesthetic and social conventions and requires a creative use of the imagination on the part of the spectators. The book argues that as such, the grotesque in the works of the selected playwrights solicits profound audience engagement with urgent ethical, social and political issues. The inevitable openness caused by the grotesque demonstrates the authors' faith in the deliberative powers of their audience, which stands in contrast to the ready-made choices offered by overtly committed political theatre. 000772212 588__ $$aOnline resource; title from PDF title page (viewed August 18, 2016). 000772212 650_0 $$aEnglish drama$$y20th century$$xHistory and criticism. 000772212 650_0 $$aEnglish drama$$y21st century$$xHistory and criticism. 000772212 650_0 $$aAmerican drama$$y21st century$$xHistory and criticism. 000772212 650_0 $$aGrotesque in literature. 000772212 852__ $$bebk 000772212 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1057/978-1-137-51318-2$$zOnline Access$$91397441.1 000772212 909CO $$ooai:library.usi.edu:772212$$pGLOBAL_SET 000772212 980__ $$aEBOOK 000772212 980__ $$aBIB 000772212 982__ $$aEbook 000772212 983__ $$aOnline 000772212 994__ $$a92$$bISE