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000772218 019__ $$a961853153
000772218 020__ $$a9781137566522$$q(electronic book)
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000772218 0247_ $$a10.1057/978-1-137-56652-2$$2doi
000772218 0243_ $$a9781137566515
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000772218 1001_ $$aHamza, Agon,$$eauthor.
000772218 24510 $$aAlthusser and Pasolini :$$bPhilosophy, Marxism, and Film /$$cby Agon Hamza.
000772218 264_1 $$aNew York :$$bPalgrave Macmillan US :$$bImprint :$$bPalgrave Macmillan,$$c2016.
000772218 300__ $$a1 online resource (xi, 202 pages)
000772218 336__ $$atext$$btxt$$2rdacontent
000772218 337__ $$acomputer$$bc$$2rdamedia
000772218 338__ $$aonline resource$$bcr$$2rdacarrier
000772218 347__ $$atext file$$bPDF$$2rda
000772218 5050_ $$aIntroduction: Althusser and Pasolini -- PART I: On Althusser -- 1. Contextualisation -- 2. Periodization -- 3. Taking Sides: Hegel or Spinoza? -- 4. Structural Causality -- 5. Althusser before Althusser: from Christianity to Communism -- 6. Marxists' Preshistory -- 7. Proletariat of Human Condition Versus the Proletariat of Labor -- 8. Christian Materialism -- 9. Antiphilosophy -- 10. Definition of Ideology -- 11. Epistemological Break -- 12. Interpellation -- 13. State Apparatuses -- 14. Church as an Ideological State Apparatus 15. Althusser's Politics -- PART II: The Gospel According to Althusser -- 16. Setting the Stage -- 17. Camera as an Ideological Apparatus -- 18. Film as a Commodity -- 19. Representation -- 20. The Christian Reality -- 21. Religious Suspension of the Theological -- 22. Religious-Political -- us Humanity -- 25. The Politics of Religion -- 26. Pasolini's Political Though -- Conclusion: Marxism and Film.
000772218 506__ $$aAccess limited to authorized users.
000772218 520__ $$aAgon Hamza offers an in-depth analysis of the main thesis of Louis Althusser's philosophical enterprise alongside a clear, engaging dissection of Pier Paolo Pasolini's most important films. There is a philosophical, religious, and political relationship between Althusser's philosophy and Pier Paolo Pasolini's films. Hamza teases out the points of contact, placing specific focus on critiques of ideology, religion, ideological state apparatuses, and the class struggle. The discussion, however, does not address Althusser and Pasolini alone. Hamza also draws on Spinoza, Hegel, Marx, and Žižek to complete his study. Pasolini's films are a treasure-trove of Althusserian thought, and Hamza ably employs Althusserian terms in his reading of the films. Althusser and Pasolini provides a creative reconstruction of Althusserian philosophy, as well as a novel examination of Pasolini's film from the perspective of the filmmaker's own thought and Althusser's theses.
000772218 650_0 $$aPhilosophy.
000772218 650_0 $$aMotion pictures$$xEuropean influences.
000772218 650_0 $$aAesthetics.
000772218 650_0 $$aPhilosophy, Modern.
000772218 650_0 $$aReligion$$xPhilosophy.
000772218 650_0 $$aSocial sciences$$xPhilosophy.
000772218 77608 $$iPrint version:$$z9781137566515
000772218 852__ $$bebk
000772218 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1057/978-1-137-56652-2$$zOnline Access$$91397441.1
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000772218 980__ $$aEBOOK
000772218 980__ $$aBIB
000772218 982__ $$aEbook
000772218 983__ $$aOnline
000772218 994__ $$a92$$bISE