000772291 000__ 03201cam\a2200505Mi\4500
000772291 001__ 772291
000772291 005__ 20230306142534.0
000772291 006__ m\\\\\o\\d\\\\\\\\
000772291 007__ cr\un\nnnunnun
000772291 008__ 160818s2016\\\\enka\\\\ob\\\\001\0\eng\d
000772291 019__ $$a957740641$$a961006507$$a961204525$$a964302324$$a965417416
000772291 020__ $$a9781137406552
000772291 020__ $$a1137406550
000772291 020__ $$z9781137406545
000772291 020__ $$z1137406542
000772291 0247_ $$a10.1057/978-1-137-40655-2$$2doi
000772291 035__ $$aSP(OCoLC)ocn959802777
000772291 035__ $$aSP(OCoLC)959802777$$z(OCoLC)957740641$$z(OCoLC)961006507$$z(OCoLC)961204525$$z(OCoLC)964302324$$z(OCoLC)965417416
000772291 040__ $$aSFB$$beng$$epn$$cSFB$$dOCLCO$$dYDX$$dN$T$$dVT2$$dOCLCF$$dOCLCQ$$dSTF
000772291 043__ $$an-us---
000772291 049__ $$aISEA
000772291 050_4 $$aPN1995.9.A26
000772291 08204 $$a791.43028$$223
000772291 1001_ $$aBaron, Cynthia,$$d1954-$$eauthor.
000772291 24510 $$aModern Acting :$$bthe Lost Chapter of American Film and Theatre /$$cby Cynthia Baron.
000772291 264_1 $$aLondon :$$bPalgrave Macmillan UK :$$bImprint :$$bPalgrave Macmillan,$$c2016.
000772291 300__ $$a1 online resource (xxviii, 300 pages) :$$billustrations.
000772291 336__ $$atext$$btxt$$2rdacontent
000772291 337__ $$acomputer$$bc$$2rdamedia
000772291 338__ $$aonline resource$$bcr$$2rdacarrier
000772291 347__ $$atext file$$bPDF$$2rda
000772291 4901_ $$aPalgrave Studies in Screen Industries and Performance
000772291 504__ $$aIncludes bibliographical references and index.
000772291 506__ $$aAccess limited to authorized users.
000772291 5208_ $$aAnnotation$$bEveryone has heard of Method acting ... but what about Modern acting? This book makes the simple but radical proposal that we acknowledge the Modern acting principles that continue to guide actors' work in the twenty-first century. Developments in modern drama and new stagecraft led Modern acting strategies to coalesce by the 1930s - and Hollywood's new role as America's primary performing arts provider ensured these techniques circulated widely as the migration of Broadway talent and the demands of sound cinema created a rich exchange of ideas among actors. Decades after Strasberg's death in 1982, he and his Method are still famous, while accounts of American acting tend to overlook the contributions of Modern acting teachers such as Josephine Dillon, Charles Jehlinger, and Sophie Rosenstein. Baron's examination of acting manuals, workshop notes, and oral histories illustrates the shared vision of Modern acting that connects these little-known teachers to the landmark work of Stanislavsky. It reveals that Stella Adler, long associated with the Method, is best understood as a Modern acting teacher and that Modern acting, not Method, might be seen as central to American performing arts if the Actors' Lab in Hollywood (1941-1950) had survived the Cold War.
000772291 650_0 $$aCulture$$xStudy and teaching.
000772291 650_0 $$aMotion pictures$$zUnited States.
000772291 650_0 $$aMotion picture acting.
000772291 650_0 $$aTheater$$xHistory.
000772291 77608 $$iPrint version:$$z9781137406545
000772291 830_0 $$aPalgrave Studies in Screen Industries and Performance.
000772291 852__ $$bebk
000772291 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1057/978-1-137-40655-2$$zOnline Access$$91397441.1
000772291 909CO $$ooai:library.usi.edu:772291$$pGLOBAL_SET
000772291 980__ $$aEBOOK
000772291 980__ $$aBIB
000772291 982__ $$aEbook
000772291 983__ $$aOnline
000772291 994__ $$a92$$bISE