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Table of Contents
Acknowledgments; Contents; Chapter 1: Introduction: TheßLacanian Woman andßLars von Trier's Cinema; Note; Bibliography; Filmography; Chapter 2: The Danger ofßtheßNaive Religious Woman ofßBreaking theßWaves; Notes; Bibliography; Chapter 3: Idioterne: Woman asßaßProponent ofßReal Politics; Notes; Bibliography; Filmography; Chapter 4: Dancer inßtheßDark: Deploying theßSiren, Impairing theßSight; Notes; Bibliography; Filmography; Chapter 5: Dogville: Woman asßanßIdeological Cinematic Tool; Notes; Bibliography; Filmography.
Chapter 6: Manderlay: TheßGift, Grace's Desire andßtheßCollapse ofßIdeologyNotes; Bibliography; Filmography; Chapter 7: The Deployment ofßtheßImpossible Woman inßAntichrist; Notes; Bibliography; Filmography; Chapter 8: Besides Melancholia andßBeyond Gender: Melancholia; Notes; Bibliography; Chapter 9: Conclusion, or, Desire asßLaw: TheßLoneliness ofßNymphomaniac between Pornography andßNarrative; Notes; Bibliography; Filmography; Index.
Chapter 6: Manderlay: TheßGift, Grace's Desire andßtheßCollapse ofßIdeologyNotes; Bibliography; Filmography; Chapter 7: The Deployment ofßtheßImpossible Woman inßAntichrist; Notes; Bibliography; Filmography; Chapter 8: Besides Melancholia andßBeyond Gender: Melancholia; Notes; Bibliography; Chapter 9: Conclusion, or, Desire asßLaw: TheßLoneliness ofßNymphomaniac between Pornography andßNarrative; Notes; Bibliography; Filmography; Index.