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Acknowledgments; Contents; List of Figures; 1: Introduction: The Emergence of Pre-Cinema; Positioning the Observer; Baroque Visual Tricks; The Disruptive Force of Movement and the Horizontal Axis of Modernity; Transmedial Trajectories; Notes; 2: From Analogia Entis to the Threshold of Self-Reflexivity in the Poetry of Dante, Donne and Shakespeare; Metaphysical Poetry and the Questioning of the System of Correspondences Between Macro and Microcosm; Notes; 3: The Modern(ist) Reader: Friedrich Schlegelś Fragments, the Emergence of Modern Philology and the Montage Effect of Industr ...

Sensationalism, or, Cohesion out of FragmentationTemporalities of Periodical Fiction; Multiframe Vistas; Notes; 4: A Map to the Panorama: Intellectualized Vision and the Unrestrained Power of Shifting Forms in Ann Radcliffeś The Mysterie ... ; Cartographic Writing or the Printed Guide to the Panorama; The Traveling Painter: Rhetorical Models and the ``Invention ́́of Vision; Remembered Vistas; The Sentimental Traveler and the Flickering Shadow-Play of the Interior of the Castle; Notes.

5: British Flâneurie, ca. 1805: William Wordsworth as Man with a Movie Camera and the Aesthetic Polarities of the Emerging Mod ... Walter Benjaminś Notebooks and British Flâneurie; Wordsworth as a Man with a Movie Camera; Wordsworthś Aesthetic Polarities as Discursive Forces in the Changing Intellectual Landscape of the Emerging Modernity; Notes; Bibliography; Index.

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