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Table of Contents
General Introduction / Marcel Cornis-Pope
Multimedia Productions in Theoretical and Historical Perspective. Theoretical Explorations. Katarina Peovic Vukovic: Electronic Literature and Modes of Production: Art in the Era of Digital and Digital- Network Paradigm
Rui Torres, Manuel Portela, and Maria do Carmo Castelo Branco de Sequeira: Methodological Rationale for the Taxonomy of the PO.EX Digital Archive
Verónica Galíndez-Jorge: The Role of Genetic Criticism in the Debates Concerning Literary Creativity
Historical Contextualizations. Karl Jirgens: Beckett and Beyond: Ergodic Texts, the Neo-Baroque, and Intermedia Performance as Social Sculpture
Bernardo Piciché: A Forerunner of "Cybridity": The "Tachipanism" of the Italian Futurists
Michael Wutz: Articulate Flesh: D. H. Lawrence and the Modern Media Ecology
Regional and Intercultural Projects. Yra van Dijk: Picking up the Pieces: History and Memory in European Digital Literature
Pedro de Andrade: Postcolonial Co-Ordinary Literature and the Web 2.0/3.0: "Thinking Back" within Transmediatic Knowledge
Eva Midden: (Re-)Writing Religious and Gender Identities in the Netherlands
Marcel Cornis-Pope: New Literary Hybrids in the Age of Multimedia Expression: The Case of "Post-Colonial" East-Central Europe
Reneta Vankova Bozhankova: "A Sense of Place: The Virtual Cartography of Russian and Other Eastern European Literatures
Nevena Dakovic and Ivana Uspenski: The Memory of the Holocaust and the New Hyper/Cyber-Textuality
Forms and Genres. Talan Memmott: On Codework: A Phenomenology of an Anti-Genre
Astrid Ensslin: The Metazone of the Festival Dada: Jason Nelson's Evidence of Everything Exploding
Leonora Flis: Nonfiction Comics as a Medium of Remembrance and Mourning and as a Cosmopolitan Genre of Social and Political Engagement
Bogumila Suwara: Hybridization of Text and Image: The Case of Photography
Joanna Spassova-Dikova: Communicating Posthuman Bodies in Contemporary Performance Arts
Victoria Pérez Royo: The Image between Cinema and Performance: Transformations and Interactions
Reneta Vankova Bozhankova: The Blog, or the Domicile of Days: Eastern European Online Literary Diaries
Readers and Rewriters in Multimedia Environments. Alan Bigelow: "Ten Reasons Why I Read Digital Literature"
Francesca Pasquali: Authors, Readers, and Convergence Culture: Storytelling in the Social Network Era
Marcel Cornis-Pope: Author-Reader Interactions in the Age of Hypertextual and Multimedia Communication
Janez Strehovec: The E-Literary Text as an Instrument and a Ride: Novel Forms of Digital Literature and the Expanded Concept of Reading
Susana Tosca and Helle Nina Pedersen: Tablets and the New Materiality of Reading
Artur Matuck: De-Scripting through Virtual Typewriters: as Reported by Caliban, a Sperker of Ynglish Langbage.
Multimedia Productions in Theoretical and Historical Perspective. Theoretical Explorations. Katarina Peovic Vukovic: Electronic Literature and Modes of Production: Art in the Era of Digital and Digital- Network Paradigm
Rui Torres, Manuel Portela, and Maria do Carmo Castelo Branco de Sequeira: Methodological Rationale for the Taxonomy of the PO.EX Digital Archive
Verónica Galíndez-Jorge: The Role of Genetic Criticism in the Debates Concerning Literary Creativity
Historical Contextualizations. Karl Jirgens: Beckett and Beyond: Ergodic Texts, the Neo-Baroque, and Intermedia Performance as Social Sculpture
Bernardo Piciché: A Forerunner of "Cybridity": The "Tachipanism" of the Italian Futurists
Michael Wutz: Articulate Flesh: D. H. Lawrence and the Modern Media Ecology
Regional and Intercultural Projects. Yra van Dijk: Picking up the Pieces: History and Memory in European Digital Literature
Pedro de Andrade: Postcolonial Co-Ordinary Literature and the Web 2.0/3.0: "Thinking Back" within Transmediatic Knowledge
Eva Midden: (Re-)Writing Religious and Gender Identities in the Netherlands
Marcel Cornis-Pope: New Literary Hybrids in the Age of Multimedia Expression: The Case of "Post-Colonial" East-Central Europe
Reneta Vankova Bozhankova: "A Sense of Place: The Virtual Cartography of Russian and Other Eastern European Literatures
Nevena Dakovic and Ivana Uspenski: The Memory of the Holocaust and the New Hyper/Cyber-Textuality
Forms and Genres. Talan Memmott: On Codework: A Phenomenology of an Anti-Genre
Astrid Ensslin: The Metazone of the Festival Dada: Jason Nelson's Evidence of Everything Exploding
Leonora Flis: Nonfiction Comics as a Medium of Remembrance and Mourning and as a Cosmopolitan Genre of Social and Political Engagement
Bogumila Suwara: Hybridization of Text and Image: The Case of Photography
Joanna Spassova-Dikova: Communicating Posthuman Bodies in Contemporary Performance Arts
Victoria Pérez Royo: The Image between Cinema and Performance: Transformations and Interactions
Reneta Vankova Bozhankova: The Blog, or the Domicile of Days: Eastern European Online Literary Diaries
Readers and Rewriters in Multimedia Environments. Alan Bigelow: "Ten Reasons Why I Read Digital Literature"
Francesca Pasquali: Authors, Readers, and Convergence Culture: Storytelling in the Social Network Era
Marcel Cornis-Pope: Author-Reader Interactions in the Age of Hypertextual and Multimedia Communication
Janez Strehovec: The E-Literary Text as an Instrument and a Ride: Novel Forms of Digital Literature and the Expanded Concept of Reading
Susana Tosca and Helle Nina Pedersen: Tablets and the New Materiality of Reading
Artur Matuck: De-Scripting through Virtual Typewriters: as Reported by Caliban, a Sperker of Ynglish Langbage.