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Introduction: the politics of possession
The one that started it all: feminist tensions in The exorcist
Rip-offs and homages of the 1970s: spotlighting exploitation with Abby and ?eytan
Revisiting The exorcist: challenging and extending the traditional exorcism narrative
Keeping the devil at bay: slashers, parodies, and satirizing religion
Dangerous boys and rebellious priests: possessed and the real story of The exorcist
True stories and found footage: the exorcism cinema resurgence
From reaffirming to challenging tradition: comparing The last exorcism and The last exorcism part II
Conclusion: the resiliency of tradition.

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