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The culture industry and participatory audiences / Emma Keltie.

Keltie, Emma, author.
2017
P94.6
Available Online
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Title
The culture industry and participatory audiences / Emma Keltie.
Author
Keltie, Emma, author.
ISBN
9783319490281 (electronic book)
3319490281 (electronic book)
9783319490274
Published
Cham, Switzerland : Palgrave Macmillan, [2017]
Language
English
Description
1 online resource
Call Number
P94.6
Dewey Decimal Classification
301
Summary
This work offers a discussion of participatory culture as a disruption to the previously held dominance of the culture industry, while also exploring the tensions created in this emerging media landscape through analysis and examination of the current Australian media policy, regulation, and content distribution landscape. The text argues that the culture industry colonises participatory cultural practices and absorbs them into the practices of the industry, to reveal that what emerges from this colonisation is an audience that misrecognises their agency as participants in the production of culture. The discourse surrounding participatory culture positions the audience as active in cultural production and falsely emancipates them as consumers, with little acknowledgement of the exploitation of labour that is occurring. Keltie exposes how, as the culture industry folds participatory practices back into its own industry practices, audience participation, in effect, becomes authorised by the culture industry. .
Bibliography, etc. Note
Includes bibliographical references adn index.
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Access limited to authorized users.
Source of Description
Online resource; title from PDF title page (viewed March 01, 2017).
Available in Other Form
Culture industry and participatory audiences.
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The Culture Industry and Participatory Audiences; Acknowledgements; Contents; List of Tables; 1 Introduction: The Convergent Media Landscape; Notes; References; 2 The Culture Industry and Audience Agency; Defining the Culture Industry as a Tool of Ideological Reproduction; The Culture Industry and the Audience; Notes; References; 3 Agency in Practice: A Participatory Utopia; Online Participation; Participatory Culture, Digital Storytelling and Web Series as Alternative Ways of Telling; Structure and the Limits of Agency; Participating Through Structuring Structures; Conclusion; Notes

New Funding Models from Screen AustraliaThe Reproduction of the Field; Conclusion; Notes; References; 6 Participation in Practice; Project Outline; Project Development and Digital Storytelling; Participants in the Production; Online Distribution; Funding Without Industry: The Advantages and Limitations of Crowdfunding; Audiences; Conclusion; Notes; References; 7 Authorised Participation; Framing Participation; Labour and Leisure: Exploiting Participation; Conclusion; References; Index

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