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Table of Contents
Acknowledgments; Contents; List of Figures; Chapter 1: Introduction; The Rebirth of Latin American Cinema; Defining the Road Movie; The Counter-Road Movie; Road Movies and Latin American Modernity; Presentation of the Book; Notes; References; Chapter 2: Traveling Across Latin America; Journeys of (Self-)Discovery: Diarios de motocicleta; The Search: El viaje; Journeys of Flight: AmigomÍo; Notes; References; Chapter 3: Nations in Crisis; The Nation as Construct: Y tu mamÁ también (Alfonso Cuarón, 2002); The Nation as Legacy: Guantanamera (Toms Gutiérrez Alea and Juan Carlos Tabío, 1995)21
The Nation as Loss: Mundo grúa (Pablo Trapero, 1999)Notes; References; Chapter 4: The Patagonian Pull; Stranded Journeys Outside Modernity: Alejandro Agresti, Eduardo Milewicz, and Pablo Trapero; Inside (Hybrid) Modernity: Carlos Sorín; The Borders of Modernity: Lisandro Alonso; Notes; References; Chapter 5: Heading North: Migrants and the US-Mexican Border; The US-Mexican Border and the Migration Road Movie; Between the Western and the Road Movie: Los tres entierros de Melquiades Estrada/The Three Burials of Melquiades Estrada (Tomm...
A Romantic Counter-Road Movie: Norteado (Rigoberto Perezcano, 2009)Between Fiction and Documentary: La jaula de oro (Diego Quemada-Díez, 2013); Epilogue; Notes; References; Chapter 6: Internally Displaced People Roaming the Roads; Displaced Amazonians: Iracema. Uma transa amazônica (Jorge Bodanzky and Orlando Senna, 1975); Relegados: La frontera (Ricardo Larraín, 1991); Damnificados: El chico que miente (Marité Ugs, 2010); Desplazados: Retratos en un mar de mentiras (Carlos Gaviria, 2010); Notes; References; Chapter 7: Gazing at Tourists
Countering the Tourist Gaze: Qué tan lejos (Tania Hermida, 2006)Blurring the Tourist Gaze: Turistas (Alicia Scherson, 2009); Reversing the Tourist Gaze: Música campesina (Alberto Fuguet, 2011); Notes; References; Epilogue; Filmography; Argentina; Bolivia; Brazil; Chile; Colombia; Costa Rica; Cuba; Ecuador; Guatemala; Honduras; Mexico; Nicaragua; Paraguay; Peru; Puerto Rico; Uruguay; Venezuela; Bibliography; Index
The Nation as Loss: Mundo grúa (Pablo Trapero, 1999)Notes; References; Chapter 4: The Patagonian Pull; Stranded Journeys Outside Modernity: Alejandro Agresti, Eduardo Milewicz, and Pablo Trapero; Inside (Hybrid) Modernity: Carlos Sorín; The Borders of Modernity: Lisandro Alonso; Notes; References; Chapter 5: Heading North: Migrants and the US-Mexican Border; The US-Mexican Border and the Migration Road Movie; Between the Western and the Road Movie: Los tres entierros de Melquiades Estrada/The Three Burials of Melquiades Estrada (Tomm...
A Romantic Counter-Road Movie: Norteado (Rigoberto Perezcano, 2009)Between Fiction and Documentary: La jaula de oro (Diego Quemada-Díez, 2013); Epilogue; Notes; References; Chapter 6: Internally Displaced People Roaming the Roads; Displaced Amazonians: Iracema. Uma transa amazônica (Jorge Bodanzky and Orlando Senna, 1975); Relegados: La frontera (Ricardo Larraín, 1991); Damnificados: El chico que miente (Marité Ugs, 2010); Desplazados: Retratos en un mar de mentiras (Carlos Gaviria, 2010); Notes; References; Chapter 7: Gazing at Tourists
Countering the Tourist Gaze: Qué tan lejos (Tania Hermida, 2006)Blurring the Tourist Gaze: Turistas (Alicia Scherson, 2009); Reversing the Tourist Gaze: Música campesina (Alberto Fuguet, 2011); Notes; References; Epilogue; Filmography; Argentina; Bolivia; Brazil; Chile; Colombia; Costa Rica; Cuba; Ecuador; Guatemala; Honduras; Mexico; Nicaragua; Paraguay; Peru; Puerto Rico; Uruguay; Venezuela; Bibliography; Index