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Utopia and Dystopia in Postwar Italian Literature; Acknowledgements; Contents; 1 Introduction; Notes; 2 The Theoretical Landscape; 2.1 History of a Concept; 2.2 Utopia and Ideology; 2.3 Utopia and Industry; 2.4 Is There a Blueprint for Utopia?; 2.5 Utopia and Power; 2.6 The Enemies of Utopia; 2.7 How to Rethink Utopia; Notes; 3 Pier Paolo Pasolini: The Contradictions of Utopia; 3.1 A Utopia of Origins; 3.2 The Body of Utopia; 3.3 Poet of Ashes; 3.4 Ragazzi di Vita: Utopian Perspectives in Pasolini's Narrative; 3.5 Death in the "Cinema of Poetry"; 3.6 The Crisis of the Subproletarian Myth

3.7 A Cinema of Crisis3.8 Can We Trans-Humanize?; 3.9 Abjuration and Collapse of Utopia; Notes; 4 Italo Calvino: A Reasonable Utopia; 4.1 Utopia and the Resistance; 4.2 The 1950s and the Crisis of Ideology; 4.3 Images of Utopia; 4.4 Map and Labyrinth; 4.5 World and Prison; 4.6 From Fourier to Le città Invisibili; 4.7 Describing the Invisible; 4.8 The Epistemological Utopia of the Last Calvino; Notes; 5 The World as a Marsh: Dystopia and Utopia in Edoardo Sanguineti; 5.1 Utopia in Sanguineti; 5.2 A New Language; 5.3 Entering the Palus; 5.4 On the Bottom of the Marsh; 5.5 After Laborintus

5.6 From Wirrwarr to Varie ed EventualiNotes; 6 Utopia and Hybridization in Paolo Volponi; 6.1 A Corporeal Utopia; 6.2 Industry and Madness; 6.3 A New Model: From History to the Body; 6.4 After the Catastrophe: Il Pianeta Irritabile and the Mis-Education of Mamerte; 6.5 Con Testo a Fronte: The Return to Poetry; 6.6 The Defeat of the Knight; 6.7 Nel Silenzio Campale and the Last Poems; Notes; 7 Conclusion; Note; Bibliography; Index

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