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000779609 019__ $$a981819192
000779609 020__ $$a9783319466484$$q(electronic book)
000779609 020__ $$a3319466488$$q(electronic book)
000779609 020__ $$z9783319466477
000779609 0247_ $$a10.1007/978-3-319-46648-4$$2doi
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000779609 035__ $$aSP(OCoLC)972900307$$z(OCoLC)981819192
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000779609 050_4 $$aPQ4053.T47
000779609 08204 $$a850.9$$223
000779609 1001_ $$aWard, David,$$eauthor.
000779609 24510 $$aContemporary Italian narrative and 1970s terrorism :$$bstranger than fact /$$cDavid Ward.
000779609 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2017]
000779609 264_4 $$c©2017
000779609 300__ $$a1 online resource.
000779609 336__ $$atext$$btxt$$2rdacontent
000779609 337__ $$acomputer$$bc$$2rdamedia
000779609 338__ $$aonline resource$$bcr$$2rdacarrier
000779609 347__ $$atext file$$bPDF$$2rda
000779609 4901_ $$aItalian and Italian American studies
000779609 504__ $$aIncludes bibliographical references and index.
000779609 5050_ $$aContemporary Italian Narrative and 1970s Terrorism; Acknowledgements; Contents; List of Figures; 1 Introduction; Italian Terrorism in the Long 1970s; Terrorism as Challenge to Representation; Notes; 2 In Defense of the Rose; Wu Ming and the Multitude; The Elephant in the Room; From Postmodernity to Hypermodernity; Postmodern Politics; Notes; 3 Family Albums and Conspiracy Theories; Narratives of Terrorism; Conspiracy Theories; A Challenge to Representation; Meeting the Challenge; Notes; 4 Stranger than Fact; Leonardo Sciascia; Loriano Macchiavelli: History as Fiction
000779609 5058_ $$aSimone Sarasso: The Possible of HistoryGiuseppe Genna: History as Dissolution of Meaning; Notes; 5 Speculative Fiction; Speculative Fiction; Notes; Bibliography; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Z; Index
000779609 506__ $$aAccess limited to authorized users.
000779609 520__ $$aThis book is about literary representations of the both left- and right-wing Italian terrorism of the 1970s by contemporary Italian authors. In offering detailed analyses of the many contemporary novels that have terrorism in either their foreground or background, it offers a “take” on postmodern narrative practices that is alternative to and more positive than the highly critical assessment of Italian postmodernism that has characterized some sectors of current Italian literary criticism. It explores how contemporary Italian writers have developed narrative strategies that enable them to represent the fraught experience of Italian terrorism in the 1970s. In its conclusions, the book suggests that to meet the challenge of representation posed by terrorism fiction rather than fact is the writer’s best friend and most effective tool.
000779609 588__ $$aOnline resource; title from PDF title page (viewed March 9, 2017).
000779609 650_0 $$aItalian literature$$xHistory and criticism$$y20th century.
000779609 650_0 $$aTerrorism$$zItaly$$xHistory$$y20th century.
000779609 77608 $$iPrint version:$$z9783319466477
000779609 830_0 $$aItalian and Italian American studies.
000779609 852__ $$bebk
000779609 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-46648-4$$zOnline Access$$91397441.1
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000779609 980__ $$aBIB
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000779609 983__ $$aOnline
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