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000780026 019__ $$a975021901$$a975087202$$a975386814$$a978455524$$a978719167$$a984855576
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000780026 24502 $$aA NIME reader :$$bfifteen years of new interfaces for musical expression /$$cAlexander Refsum Jensenius, Michael J. Lyons, editors.
000780026 264_1 $$aCham, Switzerland :$$bSpringer,$$c2017.
000780026 300__ $$a1 online resource.
000780026 336__ $$atext$$btxt$$2rdacontent
000780026 337__ $$acomputer$$bc$$2rdamedia
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000780026 4901_ $$aCurrent research in systematic musicology ;$$vvolume 3
000780026 5050_ $$aPreface; Who Is the Book For?; The Selection Process; Peer-Commentary Process; How Can NIME Continue to Be Relevant?; Acknowledgements; Contents; About the Editors; 2001: Principles for Designing Computer Music Controllers; 1 Introduction; 2 Winds: Cook/Morrill Trumpet 1986 -- 89 HIRN 1991; 3 Voice: SPASM 1988 -- 94; 4 PhISEM Shaker Percussion: 1996 -- 1999; 5 Foot, Hand, Kitchen Wear/Ware 1997 -- 2000; 6 Violins/Strings: BoSSA, the Nukelele 1998 -- 99; 7 The Voice (Again): SqueezeVox 2000; 8 Future Work and Conclusions; 9 Demonstrations; References
000780026 5058_ $$a2001: Problems and Prospects for Intimate Musical Control of Computers1 Introduction; 2 Low Entry Fee with No Ceiling on Virtuosity; 3 Latency Requirements for Control Intimacy; 4 Discrete Event Versus Continuous Control; 5 Open Sound Control (OSC); 6 A Programmable Connectivity Processor; 7 Musical Control Structures for Standard Gestural Controllers; 8 Some Custom Controllers; 9 Metaphors for Musical Control; 9.1 Drag and Drop; 9.2 Scrubbing and Its Variants; 9.3 Dipping; References; 2002: The Importance of Parameter Mapping in Electronic Instrument Design
000780026 5058_ $$a1 Electronic Instruments and the Mapping Layer2 The Importance of Mapping; 3 Informal Observations ; 3.1 The Accidental Theremin ; 3.2 Two Sliders and Two Sound Parameters ; 4 Mapping Experiments; 4.1 Complex Mapping for Arbitrary Interfaces; 4.2 Focusing on the Effect of Mapping Strategies; 4.3 Learning from Acoustic Instruments; 5 Models and Guidelines for Mapping; 5.1 One-to-one Mappings -- Multiple Layers; 6 Future Discussion of Mapping; 7 Conclusions; References; 2002: Multimodal Interaction in Music Using the Electromyogram and Relative Position Sensing; 1 Introduction
000780026 5058_ $$a2 Review of Multimodal Interaction3 The Electromyogram (EMG)/Position Sensing System; 4 Applying Multimodel Interaction Principles to Musical Control; 4.1 Music as Use Case for Multimodal HCI; 4.2 Complementarity; 4.3 Bidirectional Complementarity; 5 Requirements for Multimodal Musical Interaction; 5.1 Efficiency of Articulation and Communication; 5.2 Multitasking Versus Multimodal; 5.3 Defining a Successful Multimodal Interface; 5.4 Intuition; 5.5 Expansion Versus Fusion; 6 Application to Live Performance; 7 Conclusions; References; 2002: The Plank: Designing a Simple Haptic Controller
000780026 5058_ $$a1 Introduction1.1 Scanned Synthesis; 1.2 Haptics; 2 Haptic Illusions; 2.1 Slope; 2.2 Clutch; 3 Hardware; 3.1 Motors; 3.2 Microcontroller; 3.3 Sensing and Orthogonal Force Control; 4 Effects; 4.1 Table of Forces: Terrain; 4.2 Motion: Dynamics; 4.3 Friction; 5 Progress and Plans; References; 2003: Contexts of Collaborative Musical Experiences; 1 Introduction; 1.1 Accessible Music; 1.2 Balancing Complexity and Expressivity; 1.3 Mapping and Control Issues; 2 Contexts of Collaborative Interfaces; 2.1 Focus; 2.2 Location; 2.3 Media; 2.4 Scalability; 2.5 Player Interaction; 2.6 Musical Range/Notes
000780026 506__ $$aAccess limited to authorized users.
000780026 520__ $$aWhat is a musical instrument? What are the musical instruments of the future? This anthology presents thirty papers selected from the fifteen year long history of the International Conference on New Interfaces for Musical Expression (NIME). NIME is a leading music technology conference, and an important venue for researchers and artists to present and discuss their explorations of musical instruments and technologies. Each of the papers is followed by commentaries written by the original authors and by leading experts. The volume covers important developments in the field, including the earliest reports of instruments like the reacTable, Overtone Violin, Pebblebox, and Plank. There are also numerous papers presenting new development platforms and technologies, as well as critical reflections, theoretical analyses and artistic experiences. The anthology is intended for newcomers who want to get an overview of recent advances in music technology. The historical traces, meta-discussions and reflections will also be of interest for longtime NIME participants. The book thus serves both as a survey of influential past work and as a starting point for new and exciting future developments.
000780026 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed March 15, 2017).
000780026 650_0 $$aComputer music.
000780026 650_0 $$aElectronic music.
000780026 650_0 $$aMusic$$xComputer network resources.
000780026 7001_ $$aJensenius, Alexander Refsum,$$eeditor.
000780026 7001_ $$aLyons, Michael J.,$$eeditor.
000780026 77608 $$iPrint version:$$z9783319472133$$z3319472135$$w(OCoLC)958460371
000780026 830_0 $$aCurrent research in systematic musicology ;$$v3.
000780026 852__ $$bebk
000780026 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-47214-0$$zOnline Access$$91397441.1
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000780026 980__ $$aBIB
000780026 982__ $$aEbook
000780026 983__ $$aOnline
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