000780781 000__ 02752cam\a2200457Ii\4500 000780781 001__ 780781 000780781 005__ 20230306143158.0 000780781 006__ m\\\\\o\\d\\\\\\\\ 000780781 007__ cr\nn\nnnunnun 000780781 008__ 170411s2017\\\\enk\\\\\ob\\\\001\0\eng\d 000780781 019__ $$a982146156$$a982233418$$a982344340$$a982423397 000780781 020__ $$a9781137508386$$q(electronic book) 000780781 020__ $$a1137508388$$q(electronic book) 000780781 020__ $$z9781137508379 000780781 020__ $$z113750837X 000780781 035__ $$aSP(OCoLC)ocn982122329 000780781 035__ $$aSP(OCoLC)982122329$$z(OCoLC)982146156$$z(OCoLC)982233418$$z(OCoLC)982344340$$z(OCoLC)982423397 000780781 040__ $$aN$T$$beng$$erda$$epn$$cN$T$$dN$T$$dEBLCP$$dYDX$$dOCLCF$$dUAB 000780781 049__ $$aISEA 000780781 050_4 $$aPN36 000780781 08204 $$a700.1$$223 000780781 1001_ $$aReynolds, Bryan$$q(Bryan Randolph),$$eauthor. 000780781 24510 $$aIntermedial theater :$$bperformance philosophy, transversal poetics, and the future of affect /$$cBryan Reynolds. 000780781 264_1 $$aLondon :$$bPalgrave Macmillan$$c2017. 000780781 300__ $$a1 online resource (293 pages) 000780781 336__ $$atext$$btxt$$2rdacontent 000780781 337__ $$acomputer$$bc$$2rdamedia 000780781 338__ $$aonline resource$$bcr$$2rdacarrier 000780781 4901_ $$aPalgrave studies in performance and technology 000780781 504__ $$aIncludes bibliographical references and index. 000780781 506__ $$aAccess limited to authorized users. 000780781 5208_ $$aThis book explores relationships between intermedial theater, consciousness, memory, objects, subjectivity, and affect through productive engagement with the performance aesthetics, socio-cognitive theory, and critical methodology of transversal poetics alongside other leading philosophical approaches to performance. It offers the first sustained analysis of the work of Gilles Deleuze, Felix Guattari, Jean Baudrillard, and Friedrich Nietzsche in relation to the contemporary European theater of Jan Lauwers and Needcompany, Romeo Castellucci and Societas Raffaello Sanzio, Thomas Ostermeier, Rodrigo Garcia and La Carniceria Teatro, and the Transversal Theater Company. It connects contemporary uses of objects, simulacra, and technologies in both posthumanist discourse and postdramatic theater to the transhistorically and culturally mediating power of Shakespeare as a means by which to discuss the affective impact of intermedial theater on today's audiences. 000780781 588__ $$aOnline resource; title from PDF title page (viewed April 12, 2017) 000780781 650_0 $$aIntermediality. 000780781 650_0 $$aTheater$$xStudy and teaching. 000780781 77608 $$iPrint version:$$z113750837X$$z9781137508379$$w(OCoLC)964292829 000780781 830_0 $$aPalgrave studies in performance and technology. 000780781 852__ $$bebk 000780781 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1057/978-1-137-50838-6$$zOnline Access$$91397441.1 000780781 909CO $$ooai:library.usi.edu:780781$$pGLOBAL_SET 000780781 980__ $$aEBOOK 000780781 980__ $$aBIB 000780781 982__ $$aEbook 000780781 983__ $$aOnline 000780781 994__ $$a92$$bISE