000781065 000__ 04980cam\a2200481Mi\4500 000781065 001__ 781065 000781065 005__ 20230306143216.0 000781065 006__ m\\\\\o\\d\\\\\\\\ 000781065 007__ cr\nn\nnnunnun 000781065 008__ 170426s2017\\\\enk\\\\\o\\\\\000\0\eng\d 000781065 019__ $$a984342583$$a985286178$$a985384728$$a985484533$$a985635537$$a985836245$$a986149895$$a986482010$$a986683453$$a986924455$$a987658472$$a993470354$$a993894449$$a994693714$$a1000426837$$a1005749296 000781065 020__ $$a9781137531759$$q(electronic book) 000781065 020__ $$a1137531754$$q(electronic book) 000781065 020__ $$z9781137531742 000781065 035__ $$aSP(OCoLC)on1015828962 000781065 035__ $$aSP(OCoLC)1015828962$$z(OCoLC)984342583$$z(OCoLC)985286178$$z(OCoLC)985384728$$z(OCoLC)985484533$$z(OCoLC)985635537$$z(OCoLC)985836245$$z(OCoLC)986149895$$z(OCoLC)986482010$$z(OCoLC)986683453$$z(OCoLC)986924455$$z(OCoLC)987658472$$z(OCoLC)993470354$$z(OCoLC)993894449$$z(OCoLC)994693714$$z(OCoLC)1000426837$$z(OCoLC)1005749296 000781065 040__ $$aCSAIL$$beng$$cCSAIL$$dOCLCO$$dOCLCF$$dYDX$$dN$T$$dEBLCP$$dUAB$$dAZU$$dESU$$dIDB$$dVT2$$dOTZ$$dIOG$$dU3W$$dMERUC$$dOCLCQ 000781065 049__ $$aISEA 000781065 050_4 $$aPN1995.9.S74$$bF55 2017eb 000781065 08204 $$a791.4362$$223 000781065 24500 $$aFilmurbia :$$bscreening the suburbs /$$cDavid Forrest, Graeme Harper, Jonathan Rayner, editors. 000781065 264_1 $$aLondon, United Kingdom :$$bPalgrave Macmillan,$$c[2017] 000781065 300__ $$a1 online resource. 000781065 336__ $$atext$$btxt$$2rdacontent 000781065 337__ $$acomputer$$bc$$2rdamedia 000781065 338__ $$aonline resource$$bcr$$2rdacarrier 000781065 504__ $$aIncludes bibliographical references, filmography and index. 000781065 5050_ $$aNotes on Contributors; List of Figures; Chapter 1: Introduction. Filmurbia: Cinema and the Suburbs; Bibliography; Section I: Suburban Realisms; Chapter 2: `Society Stinks:́ Suburban Alienation and Violence in the Early Films of Penelope Spheeris; Notes; Bibliography; Chapter 3: Dis-Locations: Mapping the Banlieue; Generic Location? Banlieue Film; Girl/Hood; Conflict Zones; Shifting Suburban Sites; Notes; Bibliography; Chapter 4: Mike Leigh and the Poetics of English Suburbia; Three Films About the Suburbs; Bibliography; Section II: Suburban Nations 000781065 5058_ $$aChapter 5: Estate of the Nation: Social Housing as Cultural Verisimilitude in British Social RealismUnderstanding British Social Housing; New Labour and the Problematisation of Council Estates; Contemporary Representations of Social Housing; Attack the Block as Radical Verisimilitude; Conclusions; Bibliography; Chapter 6: The Gritty Urban: The Australian Beach as City Periphery in Cinema; Introduction; Nature or Nurture: The Urban or Natural Question; Surfers Paradise: The Pleasure Dome; Bondi Beach: The Underbelly; Gritty Realism, `Sandy ́Urbanism; Bibliography 000781065 5058_ $$aChapter 7: The Suburban Plots of David Bezmozgis ́FilmsMotivation and Domesticity in Victoria Day and Natasha; Filming Natasha in Suburban Toronto; Notes; Bibliography; Primary; Secondary; Further Reading; Section III: Slumurbia and Social Order; Chapter 8: The Living Landscape of Jakarta in Leonard Retel Helmrichś Documentary Triptych; A Living Landscape; The Meta-modern Subject; Subjective Realism: The Meta-modern Film-maker; Notes; Bibliography; Chapter 9: System within the Suburb: Dharavi and Class Depiction in Bollywood; Introduction; Dharavi: What It Is and What It Is Not! 000781065 5058_ $$aSlum Gala in Foreign ProductionsDesi Ghetto: Dharavi Through an Indian Lens; Conclusion; Bibliography; Chapter 10: Outskirts of Reason: The Dream in Días de papel and Chircales; The Filmed City; Meeting the Suburb; Filming the Suburb; Vigo, Buñuel and the Revolution; The Nightmare and the Hope; Questioning the Centre; Notes; Bibliography; Section IV: Suburban Genres; Chapter 11: Margins versus Centre: Cinematic Tensions and Conflict between the Suburbs and Paris; From Urbanites Invading the Banlieue to the Changing Connotation of the Cinematic Journey Trope 000781065 5058_ $$aThe Centre `Killing ́the Old Banlieue: Imposed Urban Developments as the Root of the Reversal in Cinematic RepresentationsThe New Architectural Form of the Social Housing Estate Engenders the Cinematic Downfall of the Suburbs; From Endangered to Danger: The Negative Connotation of the Banlieue and Its Inhabitants as a Threat to the Urban Centre; The Filmic Medium as Document of Changing Spatial Relationships and Terrain for Contestation; Notes; Bibliography; Chapter 12: The Suburban Australian Gothic in Lake Mungo and Beautiful; Lake Mungo: `The Saddest Thinǵ 000781065 506__ $$aAccess limited to authorized users. 000781065 588__ $$aDescription based on print version record. 000781065 650_0 $$aSuburbs in motion pictures. 000781065 7001_ $$aForrest, David,$$eeditor. 000781065 7001_ $$aHarper, Graeme,$$eeditor. 000781065 7001_ $$aRayner, Jonathan$$q(Jonathan R.),$$eeditor. 000781065 77608 $$iPrint version:$$z1137531746$$z9781137531742 000781065 85280 $$bebk$$hSpringerLink 000781065 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1057/978-1-137-53175-9$$zOnline Access$$91397441.1 000781065 909CO $$ooai:library.usi.edu:781065$$pGLOBAL_SET 000781065 980__ $$aEBOOK 000781065 980__ $$aBIB 000781065 982__ $$aEbook 000781065 983__ $$aOnline 000781065 994__ $$a92$$bISE