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Table of Contents
New Media Dramaturgy; Acknowledgements; Contents; List of Figures; 1 Cue Black Shadow Effect: The New Media Dramaturgy Experience; New Media and NMD; New Dramaturgy and NMD; Theorising NMD: From Entanglement to Vibrant Matter; Bookending NMD; Listen to the Bloody Machine; NMD and the Image Machine; Structure of the Book; Notes; References; 2 The Virtual Machine: Projection in the Theatre; The Possibilities of Projection; dumb type: Projection as Dramaturgy; Ong Keng Sen's Desdemona: Projection as Critique; HUMINID: On 'Affecting Oomph' and Composite Materialities
M, a reflection: Projection as Virtual MachineHotel Modern's KAMP: Projection as Affective Amplification; Chunky Move's Glow: Projection as Liveliness; Conclusion; Notes; References; 3 From Extreme Light to Total Darkness: The Dramaturgy of Organised Light; Looking at Light: Meanings and Modalities; Organised Light and Useful Lumens; Social Lighting; Box: Light as the Theatrical Space; The Textual Element of Box; OR; Ikeda Ryoji's db: Lighting and Sound as Rematerialisation; Rafael Lozano-Hemmer's Relational Architectures; Verdonck's Stills: Projection, Austerity and the City; Conclusion
NotesReferences; 4 The Theatre of Atmospheres; What Is an Atmosphere?; MASS: Performing Atmospheres; Nakaya Fujiko's Fog Sculptures; Veil at the Glass House; Fog Sculptures as NMD; Looking at Clouds; Architectures of Atmosphere; Talking About the Weather; Conclusion; Notes; References; 5 Robots: Asleep, Awake, Alone, and in Love; Robots in Love?; Mari Velonaki's The Woman and the Snowman; Fish
Bird; Robot Hyperobjects; Hirata Oriza's Robot Theatre; ACTOR#1: Emotional Connections; DANCER#3: Amplified Intimacy; The Tiller Girls; A Dramaturgy of Objects and Non-human Bodies; Conclusion; Notes
8 Play/Pause, FF/Rewind. End. Machine Times, End Times: Theatre, Live Film and VideoAt the Limit; Live Film 1: Recording the Future; Recording the Future; Why This Work?; PLAY/PAUSE: Krapp's Last Tape and Steenbeckett; Atom Egoyan's Steenbeckett; Fast Forward/Rewind: Gob Squad; Rewind: Super Night Shot; Rewind to NMD; Stop: END; Conclusion; Notes; References; 9 Post-NMD?; References; Bibliography; Index
M, a reflection: Projection as Virtual MachineHotel Modern's KAMP: Projection as Affective Amplification; Chunky Move's Glow: Projection as Liveliness; Conclusion; Notes; References; 3 From Extreme Light to Total Darkness: The Dramaturgy of Organised Light; Looking at Light: Meanings and Modalities; Organised Light and Useful Lumens; Social Lighting; Box: Light as the Theatrical Space; The Textual Element of Box; OR; Ikeda Ryoji's db: Lighting and Sound as Rematerialisation; Rafael Lozano-Hemmer's Relational Architectures; Verdonck's Stills: Projection, Austerity and the City; Conclusion
NotesReferences; 4 The Theatre of Atmospheres; What Is an Atmosphere?; MASS: Performing Atmospheres; Nakaya Fujiko's Fog Sculptures; Veil at the Glass House; Fog Sculptures as NMD; Looking at Clouds; Architectures of Atmosphere; Talking About the Weather; Conclusion; Notes; References; 5 Robots: Asleep, Awake, Alone, and in Love; Robots in Love?; Mari Velonaki's The Woman and the Snowman; Fish
Bird; Robot Hyperobjects; Hirata Oriza's Robot Theatre; ACTOR#1: Emotional Connections; DANCER#3: Amplified Intimacy; The Tiller Girls; A Dramaturgy of Objects and Non-human Bodies; Conclusion; Notes
8 Play/Pause, FF/Rewind. End. Machine Times, End Times: Theatre, Live Film and VideoAt the Limit; Live Film 1: Recording the Future; Recording the Future; Why This Work?; PLAY/PAUSE: Krapp's Last Tape and Steenbeckett; Atom Egoyan's Steenbeckett; Fast Forward/Rewind: Gob Squad; Rewind: Super Night Shot; Rewind to NMD; Stop: END; Conclusion; Notes; References; 9 Post-NMD?; References; Bibliography; Index