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TABLE OF CONTENTS; PREFACE; A NOTE ON THE PEER REVIEW PROCESS; REFERENCES; ACKNOWLEDGEMENTS; LIST OF ABBREVIATIONS; LIST OF TABLES AND FIGURES; TABLES; FIGURES; PART ONE: PHILOSOPHICAL MUSINGS; 1. UNDOING COGNITIVE DAMAGE; INTRODUCTION: THE ENCHANTED LOOM; (Re)presenting the Human Brain; The Brain; Cognitive Damage in the Absence of Physiological Damage; COGNITIVE DAMAGE: AN ETERNAL DOOM?; Cognitive Damage Explained; Discourse, Representation, Reality and Cognitive Damage; Ideology, Hegemony and Cognitive Damage; UNDOING COGNITIVE DAMAGE: A CHANCE TO BLOOM?; THE ARCHITECTURE OF THIS ANTHOLOGY
What Is It to Interpret a History of Violence and Use It without Accusation or Excuse within the Broadest Interpretation of the Academy?Why Is National Liberation Not a Revolution?; How Do We Combat the Anthropocene?; REFERENCES; 3. 'SENSING' THE CURRICULUM: The Role of Aesthetics in Higher Education; INTRODUCTION; WHAT CAN A CURRICULUM DO?; DEVELOPING CRITICAL CAPACITY; MAKING A WORLD SAFE FOR THE CURRICULUM; CONSTRAINED CHANGE WITHIN THE FINITE; THE MEDIUM OF THE UNIVERSITY; AESTHETIC RELOCATION; CONCLUSION; NOTES; REFERENCES
4. RE-HUMANISING THE CURRICULUM IN A NON-AESTHETIC EMBODIED SOCIETYINTRODUCTION; DEFINING CURRICULUM POWERS; THE INTELLECTUAL SERVANTS; SUPERHUMANS AND POSTHUMANS; NON-DUALISM, UBUNTU AND EASTERN PHILOSOPHIES; CONCLUSION; NOTES; REFERENCES; 5. VISUAL COGNITION AND THE STRUGGLE FOR THE SOUL OF ARCHITECTURE; INTRODUCTION; THE PROCESS OF TRANSMISSION OF ARCHITECTURAL IDEAS; TEACHING THE CONVENTIONS OF SPACE AND FORM; The Egyptian Concept of Heaven and Earth; The South African Homestead; THE DICHOTOMY OF MODERNISM; STRUCTURALISM VS POST-STRUCTURALISM; THE RISE OF ARCHITECTURAL HISTORY
HOUSE FORM AND CULTUREJENKS' SIX TRADITIONS; UNCHANGING PATTERNS OF EDUCATION; CONCLUDING THOUGHTS; REFERENCES; 6. THE ILLUSION OF SOLID AND SEPARATE THINGS: Troublesome Knowledge and the Curriculum; SECTION ONE; Non-separation Is Not New; But the Problem Is...; Unpacking the Illusion; The Fact of One and the Appearance of Two; What Has This Got to Do with Learning?; SECTION TWO; Shifting the Gaze; Troublesome Knowledge; CONCLUSION; NOTES; REFERENCES; 7. DE-PATHOLOGISING HIGHER EDUCATION CURRICULUM; INTRODUCTION; RELATIONSHIP OF LABOURING AFFINITIES
What Is It to Interpret a History of Violence and Use It without Accusation or Excuse within the Broadest Interpretation of the Academy?Why Is National Liberation Not a Revolution?; How Do We Combat the Anthropocene?; REFERENCES; 3. 'SENSING' THE CURRICULUM: The Role of Aesthetics in Higher Education; INTRODUCTION; WHAT CAN A CURRICULUM DO?; DEVELOPING CRITICAL CAPACITY; MAKING A WORLD SAFE FOR THE CURRICULUM; CONSTRAINED CHANGE WITHIN THE FINITE; THE MEDIUM OF THE UNIVERSITY; AESTHETIC RELOCATION; CONCLUSION; NOTES; REFERENCES
4. RE-HUMANISING THE CURRICULUM IN A NON-AESTHETIC EMBODIED SOCIETYINTRODUCTION; DEFINING CURRICULUM POWERS; THE INTELLECTUAL SERVANTS; SUPERHUMANS AND POSTHUMANS; NON-DUALISM, UBUNTU AND EASTERN PHILOSOPHIES; CONCLUSION; NOTES; REFERENCES; 5. VISUAL COGNITION AND THE STRUGGLE FOR THE SOUL OF ARCHITECTURE; INTRODUCTION; THE PROCESS OF TRANSMISSION OF ARCHITECTURAL IDEAS; TEACHING THE CONVENTIONS OF SPACE AND FORM; The Egyptian Concept of Heaven and Earth; The South African Homestead; THE DICHOTOMY OF MODERNISM; STRUCTURALISM VS POST-STRUCTURALISM; THE RISE OF ARCHITECTURAL HISTORY
HOUSE FORM AND CULTUREJENKS' SIX TRADITIONS; UNCHANGING PATTERNS OF EDUCATION; CONCLUDING THOUGHTS; REFERENCES; 6. THE ILLUSION OF SOLID AND SEPARATE THINGS: Troublesome Knowledge and the Curriculum; SECTION ONE; Non-separation Is Not New; But the Problem Is...; Unpacking the Illusion; The Fact of One and the Appearance of Two; What Has This Got to Do with Learning?; SECTION TWO; Shifting the Gaze; Troublesome Knowledge; CONCLUSION; NOTES; REFERENCES; 7. DE-PATHOLOGISING HIGHER EDUCATION CURRICULUM; INTRODUCTION; RELATIONSHIP OF LABOURING AFFINITIES