000782849 000__ 02906cam\a2200433\a\4500 000782849 001__ 782849 000782849 005__ 20210515130459.0 000782849 006__ m\\\\\o\\d\\\\\\\\ 000782849 007__ cr\cn\nnnunnun 000782849 008__ 100616s2010\\\\enka\\\\ob\\\\001\0deng\d 000782849 010__ $$z 2010025719 000782849 020__ $$z9780521149778 000782849 020__ $$z9780521192507 000782849 020__ $$a9781139781664$$q(electronic book) 000782849 035__ $$a(MiAaPQ)EBC1042396 000782849 035__ $$a(Au-PeEL)EBL1042396 000782849 035__ $$a(CaPaEBR)ebr10618607 000782849 035__ $$a(CaONFJC)MIL402811 000782849 035__ $$a(OCoLC)818817497 000782849 040__ $$aMiAaPQ$$cMiAaPQ$$dMiAaPQ 000782849 043__ $$ae-uk-en 000782849 050_4 $$aPN2589$$b.A88 2010 000782849 08204 $$a792.0942/09031$$222 000782849 1001_ $$aAstington, John. 000782849 24510 $$aActors and acting in Shakespeare's time$$h[electronic resource] :$$bthe art of stage playing /$$cJohn H. Astington. 000782849 260__ $$aCambridge, U.K. ;$$aNew York :$$bCambridge University Press,$$c2010. 000782849 300__ $$avii, 252 p. :$$bill. 000782849 504__ $$aIncludes bibliographical references and index. 000782849 5058_ $$aMachine generated contents note: Introduction: The purpose of playing; 1. Shadows, jests, and counterfeits; 2. Playing and education; 3. Apprentices; 4. Playing many parts; 5. Players at work; 6. Conclusion; Appendix. Principal actors 1558-1660; Bibliography. 000782849 520__ $$a"John Astington brings the acting style of the Shakespearean period to life, describing and analysing the art of the player in the English professional theatre between Richard Tarlton and Thomas Betterton. The book pays close attention to the cultural context of stage playing, the critical language used about it, and the kinds of training and professional practice employed in the theatre at various times over the course of roughly one hundred years - 1558-1660. Perfect for courses, this up-to-date survey takes into account recent discoveries about actors and their social networks, about apprenticeship and company affiliations, and about playing outside the major centre of theatre, London. Astington considers the educational tradition of playing, in schools, universities, legal inns, and choral communities, in comparison to the work of the professional players. A comprehensive biographical dictionary of all major professional players of the Shakespearean period is included as a handy reference guide"--$$cProvided by publisher. 000782849 60010 $$aShakespeare, William,$$d1564-1616$$xStage history$$yTo 1625. 000782849 60010 $$aShakespeare, William,$$d1564-1616$$xStage history$$zEngland. 000782849 650_0 $$aTheater$$zEngland$$xHistory$$y16th century. 000782849 650_0 $$aTheater$$zEngland$$xHistory$$y17th century. 000782849 650_0 $$aActing$$xHistory$$y16th century. 000782849 650_0 $$aActing$$xHistory$$y17th century. 000782849 852__ $$bebk 000782849 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=1042396$$zOnline Access 000782849 909CO $$ooai:library.usi.edu:782849$$pGLOBAL_SET 000782849 980__ $$aEBOOK 000782849 980__ $$aBIB 000782849 982__ $$aEbook 000782849 983__ $$aOnline