000783616 000__ 03036cam\a22004331i\4500 000783616 001__ 783616 000783616 005__ 20210515130626.0 000783616 006__ m\\\\\o\\d\\\\\\\\ 000783616 007__ cr\un\nnnunnun 000783616 008__ 170614s2017\\\\enka\\\\ob\\\\001\0\eng\d 000783616 020__ $$a9781316945193 (electronic bk.) 000783616 020__ $$a1316945197 (electronic bk.) 000783616 020__ $$z9781107162365 000783616 020__ $$z110716236X 000783616 035__ $$a(NhCcYBP)EBC4829598 000783616 040__ $$aNhCcYBP$$cNhCcYBP 000783616 050_4 $$aN5610$$b.F73 2017 000783616 08204 $$a709.38$$223 000783616 084__ $$aART015060$$2bisacsh 000783616 24504 $$aThe frame in classical art :$$ba cultural history /$$cedited by Verity Platt and Michael Squire. 000783616 264_1 $$aCambridge, United Kingdom :$$bCambridge University Press,$$c2017. 000783616 300__ $$a1 online resource (xxxviii, 697 pages) :$$billustrations. 000783616 336__ $$atext$$btxt$$2rdacontent 000783616 337__ $$acomputer$$bc$$2rdamedia 000783616 338__ $$aonline resource$$bcr$$2rdacarrier 000783616 504__ $$aIncludes bibliographical references and index. 000783616 5058_ $$aMachine generated contents note: Part I. Framing the Frame: 1. Framing the visual in Greek and Roman antiquity: an introduction Verity Platt and Michael Squire; Part II. Framing Pictorial Space: Introduction Verity Platt; 2. The frames of Greek painted pottery Clemente Marconi; 3. Unframing the representation: the frontal face in Athenian vase painting Guy Hedreen; 4. Framing the Roman still life: Campanian wall painting and the frames of make-believe Michael Squire; Part III. Framing Bodies: Introduction Michael Squire; 5. Framing Archaic Greek sculpture: figure, ornament and script Nikolaus Dietrich; 6. Framing and social identity in Roman portrait statues Jennifer Trimble; 7. Framing the dead on Roman sarcophagi Verity Platt; Part IV. Framing the Sacred: Introduction Verity Platt; 8. Framing divine bodies in Greek art Milette Gaifman; 9. How the Gauls broke the frame: the political and theological impact of taking battle scenes off Greek temples Robin Osborne; 10. Visual ontologies: style, archaism and framing in the construction of the sacred in the western tradition Jas' Elsner; Part V. Framing texts: Introduction Michael Squire; 11. Framing technologies in Hero and Ptolemy Courtney Roby; 12. Writing, reading, and seeing between the lines: framing late-antique inscriptions as texts and images Sean V. Leatherbury; 13. Envoi: framing 'antiquity' Rebecca Zorach. 000783616 506__ $$aAccess limited to authorized users 000783616 533__ $$aElectronic reproduction.$$bAnn Arbor, MI$$nAvailable via World Wide Web. 000783616 588__ $$aDescription based on print version record. 000783616 650_0 $$aArt, Classical. 000783616 650_0 $$aBoundaries in art. 000783616 7001_ $$aPlatt, Verity J.$$q(Verity Jane),$$d1977-$$eeditor. 000783616 7001_ $$aSquire, Michael,$$eeditor. 000783616 7102_ $$aProQuest (Firm) 000783616 77608 $$cOriginal$$z9781107162365$$z110716236X$$w(DLC) 2016035988 000783616 852__ $$bebk 000783616 85640 $$3GOBI DDA$$uhttps://univsouthin.idm.oclc.org/login?url=http://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=4829598$$zOnline Access 000783616 909CO $$ooai:library.usi.edu:783616$$pGLOBAL_SET 000783616 980__ $$aEBOOK 000783616 980__ $$aBIB 000783616 982__ $$aEbook 000783616 983__ $$aOnline