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Introduction : reopening darkness
Awakening terror : hellfire preaching, Jonathan Edwards, and the logic of revivalist affect
Critical terrors : Poe's aesthetic terror and the claims of art after Jena
The air of analysis : resolution and composition in Poe's sublime and confessional tales
The uneven balance : dialectical terror in Moby-Dick
Dread : space, time, and automata in The piazza tales
Afterword : "some dim, random way".

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