000784767 000__ 02818cam\a2200409Ii\4500 000784767 001__ 784767 000784767 005__ 20210515130919.0 000784767 006__ m\\\\\o\\d\\\\\\\\ 000784767 007__ cr\cn\nnnunnun 000784767 008__ 150611s2015\\\\cau\\\\\ob\\\\001\0\eng\d 000784767 020__ $$a9781440831911$$q(electronic bk.) 000784767 020__ $$a1440831912$$q(electronic bk.) 000784767 020__ $$z9781440831904 000784767 035__ $$a(NhCcYBP)EBC2067790 000784767 040__ $$aNhCcYBP$$cNhCcYBP 000784767 043__ $$an-us--- 000784767 050_4 $$aPN1995.9.N4$$bF36 2015 000784767 08204 $$a791.43/6521108996073$$223 000784767 1001_ $$aFain, Kimberly,$$d1974-$$eauthor. 000784767 24510 $$aBlack Hollywood :$$bfrom butlers to superheroes, the changing role of African American men in the movies /$$cKimberly Fain. 000784767 264_1 $$aSanta Barbara, Calif. :$$bPraeger, an imprint of ABC-CLIO, LLC,$$c2015. 000784767 300__ $$a1 online resource. 000784767 336__ $$atext$$btxt$$2rdacontent 000784767 337__ $$acomputer$$bc$$2rdamedia 000784767 338__ $$aonline resource$$bcr$$2rdacarrier 000784767 504__ $$aIncludes bibliographical references and index. 000784767 5050_ $$aIntroduction: appropriation, exploitation, and agency of black performers in Hollywood -- Black images from Jim Crow to the McCarthy era of blacklisting. 1910s: whites in blackface and the sexually depraved black Mandingo-The birth of a nation -- 1920s: Oscar Micheaux's response to blackface and D.W. Griffith -- 1930s: the Hays Moral Code and Jim Crow-The emperor Jones and Gone with the wind -- 1940s: Bill "Bojangles" Robinson and Lincoln "Stepin Fetchit" Perry: black servants in musicals and comedies -- 1950s: McCarthyism and blacklisting: Canada Lee and Paul Robeson -- Black images from the apex of the civil rights era peak into the age of Barack Obama -- 1960s: token black actors in the civil rights age: Sidney Poitier and Harry Belafonte -- 1970s: blaxploitation: preachers, pimps, pushers, and players -- 1980s: black comedians rule: in the age of Eddie Murphy and Richard Pryor -- 1990s: gangsta rappers transcend music: Ice Cube, Ice-T, DMX, Nas, and 2pac -- 2000s: black icons: control, agency, and self-appropriation: Spike Lee, Tyler Perry and Will Smith -- 2010s: black power Hollywood: Django unchained and Twelve years as a slave in the age of Obama's hope and change -- Conclusion. 000784767 506__ $$aAccess limited to authorized users 000784767 533__ $$aElectronic reproduction.$$bAnn Arbor, MI$$nAvailable via World Wide Web. 000784767 583__ $$aebrary$$bpurchase$$c20151116$$knsh$$5UPB 000784767 588__ $$aOnline resource; title from PDF title page (viewed June 10, 2015). 000784767 650_0 $$aAfrican American men in motion pictures. 000784767 650_0 $$aMasculinity in motion pictures. 000784767 7102_ $$aProQuest (Firm) 000784767 852__ $$bebk 000784767 85640 $$3GOBI DDA$$uhttps://univsouthin.idm.oclc.org/login?url=http://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=2067790$$zOnline Access 000784767 909CO $$ooai:library.usi.edu:784767$$pGLOBAL_SET 000784767 980__ $$aEBOOK 000784767 980__ $$aBIB 000784767 982__ $$aEbook 000784767 983__ $$aOnline