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Part I: Transcendence. On the early poems ; On "L'Allegro" and "Il Penseroso" ; On the work not called Comus ; On engagement in A Masque ; On "Lycidas" as primitive art
Part II: Engagement. On the interstitial Latin poems and an English fragment ; On the sonnets and shorter poems of the political period ; On the romantics and the principles of Milton
Part III: Transcendental engagement. On history in Paradise Lost ; On the origin in Paradise Lost ; On the verse of Paradise Lost ; On the sublime in Paradise Lost ; On temptation in Paradise Lost ; On the end in Paradise Lost ; On late style in Paradise Regained and Samson Agonistes
Appendix I: References and texts
Appendix II: Chronology of the poems.

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