000785417 000__ 03037cam\a2200469Ii\4500
000785417 001__ 785417
000785417 005__ 20210515131114.0
000785417 006__ m\\\\\o\\d\\\\\\\\
000785417 007__ cr\cn\nnnunnun
000785417 008__ 160211s2016\\\\enk\\\\\ob\\\\001\0\eng\d
000785417 020__ $$a9781472506382$$qelectronic bk.
000785417 020__ $$a1472506383$$qelectronic bk.
000785417 020__ $$z9781408184493
000785417 020__ $$z1408184494
000785417 035__ $$a(NhCcYBP)EBC4403161
000785417 040__ $$aNhCcYBP$$cNhCcYBP
000785417 050_4 $$aPN56.5.H35$$bJ66 2016
000785417 08204 $$a809.2/04$$223
000785417 1001_ $$aJohnston, Kirsty,$$d1971-$$eauthor.
000785417 24510 $$aDisability theatre and modern drama :$$brecasting modernism /$$cKirsty Johnston.
000785417 264_1 $$aLondon ;$$aNew York :$$bBloomsbury Methuen Drama,$$c2016.
000785417 300__ $$a1 online resource.
000785417 336__ $$atext$$btxt$$2rdacontent
000785417 337__ $$acomputer$$bc$$2rdamedia
000785417 338__ $$aonline resource$$bcr$$2rdacarrier
000785417 4901_ $$aCritical companions
000785417 504__ $$aIncludes bibliographical references and index.
000785417 5050_ $$aCover page ; Halftitle page ; Series page ; Title page ; Copyright page ; CONTENTS; ACKNOWLEDGMENTS; INTRODUCTION; Organization of the Work; PART I CRITICAL SURVEY OF DISABILITY THEATRE AESTHETICS, POLITICS, AND PRACTICES; CHAPTER 1 WHAT IS DISABILITY THEATRE?; Disability arts and culture; Disability theatre; Keywords; CHAPTER 2 CRITICAL EMBODIMENT AND CASTING; Embodying realism; CHAPTER 3 STAGING INCLUSION; CHAPTER 4 INHERITED PLAYS AND NEW APPROACHES; Graeae Theatre Company: Origins; Graeae's Blood Wedding; Graeae's The Threepenny Opera; Theatre Workshop Scotland and Beckett's Endgame
000785417 5058_ $$aConclusionPART II CRITICAL PERSPECTIVES; CHAPTER 5 "EVERY MAN HIS SPECIALTY": BECKETT, DISABILITY, AND DEPENDENCE; I "To decompose is to live, too"; II "What a curse, mobility!"; III "No more nature"; IV Dependent rational animals; CHAPTER 6 RECLAIMING THE ORDINARY EXTRAORDINARY BODY: OR, THE IMPORTANCE OF THE GLASS MENAGERIE FOR LITERARY DISABILITY STUDIES; CHAPTER 7 ACCESS AESTHETICS AND MODERN DRAMA: AN INTERVIEW WITH JENNY SEALEY ON GRAEAE THEATRE COMPANY'S THE THREEPENNY OPERA AND BLOOD WEDDING; CHAPTER 8 SHATTERING THE GLASS MENAGERIE; NOTES; BIBLIOGRAPHY; NOTES ON CONTRIBUTORS; INDEX
000785417 506__ $$aAccess limited to authorized users
000785417 533__ $$aElectronic reproduction.$$bAnn Arbor, MI$$nAvailable via World Wide Web.
000785417 588__ $$aDescription based on online resource; title from digital title page (viewed on April 26, 2016).
000785417 650_0 $$aPeople with disabilities in literature.
000785417 650_0 $$aModernism (Literature)
000785417 650_0 $$aDrama$$y20th century$$xHistory and criticism.
000785417 650_0 $$aDrama$$y21st century$$xHistory and criticism.
000785417 7102_ $$aProQuest (Firm)
000785417 77608 $$iPrint version:$$aJohnston, Kirsty.$$tDisability Theatre and Modern Drama .$$bEdition$$z9781408184493
000785417 830_0 $$aCritical companions (Methuen Drama)
000785417 852__ $$bebk
000785417 85640 $$3GOBI DDA$$uhttps://univsouthin.idm.oclc.org/login?url=http://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=4403161$$zOnline Access
000785417 909CO $$ooai:library.usi.edu:785417$$pGLOBAL_SET
000785417 980__ $$aEBOOK
000785417 980__ $$aBIB
000785417 982__ $$aEbook
000785417 983__ $$aOnline