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Machine generated contents note: Introduction: America's Subjects of Events
Chapter 1. The Question of the Event and the Question(s) of the Subject
Chapter 2. 'You have to carry the fire': The Reactive Subject in Cormac McCarthy's The Road (2006)
Chapter 3. 'With Us or Against Us': The Obscure Subject in Jess Walter's The Zero (2006)
Chapter 4. 'Let us go then you and I': The Amorous Subject in Mark Z. Danielewski's Only Revolutions (2006)
Chapter 5. 'You'll never be passé': The Aesthetico-Political Subject in Paul Beatty's Slumberland (2008)
Chapter 6. 'There is nothing to compare it to now': The Scientific-Political Subjects in Thomas Pynchon's Against the Day (2006)
Conclusion: The End as Enjambment.
Chapter 1. The Question of the Event and the Question(s) of the Subject
Chapter 2. 'You have to carry the fire': The Reactive Subject in Cormac McCarthy's The Road (2006)
Chapter 3. 'With Us or Against Us': The Obscure Subject in Jess Walter's The Zero (2006)
Chapter 4. 'Let us go then you and I': The Amorous Subject in Mark Z. Danielewski's Only Revolutions (2006)
Chapter 5. 'You'll never be passé': The Aesthetico-Political Subject in Paul Beatty's Slumberland (2008)
Chapter 6. 'There is nothing to compare it to now': The Scientific-Political Subjects in Thomas Pynchon's Against the Day (2006)
Conclusion: The End as Enjambment.