Uncanny Semblables and serendipitous publications: T.S. Eliot's The Criterion and The Waste Land and James Joyce's Ulysses / Gabrielle McIntire
Rilke's Duino elegies and Sonnets to Orpheus / Judith Ryan
Odd encounters: from Marcel Proust's Sodome et Gomorrhe to Albert Cohen's "Projections ou Après-Minuit à Genève" / Andre Benhaïm
Castle logic: hints in Kafka's novel / Paul North
"In or about 1922": Virginia Woolf, Katherine Mansfield, and modern fiction / Angeliki Spiropoulou
Anglophones in Paris: Gertrude Stein and the aesthetics of collaboration / Genevieve Abravanel
Circa 1922: art, technology, and the activated beholder / Christine Poggi
Dada, futurism, and Raymond Roussel / Jonathan P. Eburne
The beginning and the end: the formalist paradigm in literary study / Alastair Renfrew
Hispanic watershed: 1922 in Latin America / Michelle Clayton
Restoration dramas: Hofmannsthal's The Great World Theater of Salzburg and Cocteau's Antigone / Matt Wilson Smith
Postwar new feminisms: May Sinclair and Colette / Elizabeth A. Mosimann
Durée et simultanéité and Tractatus Logico-Philosophicus: time and logic in 1922 / Gregg Lambert
Marxism in revolution: Georg Lukács's History and class consciousness and Karl Korsch's Marxism and philosophy / Adam Takács
Principles of relativity: Whitehead versus Russell / Steven Meyer
Modernist political theologies: Carl Schmitt's Political theology (1922) and Walter Benjamin's "Critique of Violence" (1921) / Tracy McNulty
Frazer's The Golden bough and Malinowski's Argonauts of the Western Pacific: anthropology in 1922 / Marc Manganaro.