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Methodological orientation : the mazurkas. The architecture of a tonic pillar : twenty-seven regular tonic pillars from the mazurkas ; Between the tonic pillars : tonal trajectories in twenty-seven mazurkas ; Irregular pillars in the mazurkas : alternatives to the perfect authentic cadence
Masterpieces. Etude in C minor, op. 10, no. 12 in response to Graham H. Phipps ; Nocturne in C♯ minor (op. 27, no. 1) in response to Felix Salzer ; Preludes in E major and E minor (op. 28, nos. 9 and 4) in response to Fred Lerdahl ; Prelude in G minor (op. 28, no. 22) in response to Alison Hood ; Prelude in C♯ minor (op. 45) in response to Jean-Jacques Eigeldinger and to Charles J. Smith ; Ballade in F minor (op. 52) in response to Edward Laufer ; Barcarolle in F♯ major (op. 60) in response to John Rink.
Masterpieces. Etude in C minor, op. 10, no. 12 in response to Graham H. Phipps ; Nocturne in C♯ minor (op. 27, no. 1) in response to Felix Salzer ; Preludes in E major and E minor (op. 28, nos. 9 and 4) in response to Fred Lerdahl ; Prelude in G minor (op. 28, no. 22) in response to Alison Hood ; Prelude in C♯ minor (op. 45) in response to Jean-Jacques Eigeldinger and to Charles J. Smith ; Ballade in F minor (op. 52) in response to Edward Laufer ; Barcarolle in F♯ major (op. 60) in response to John Rink.