Edge of irony : modernism in the shadow of the Habsburg Empire / Marjorie Perloff.
2016
PT3818 .P44 2016
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Title
Edge of irony : modernism in the shadow of the Habsburg Empire / Marjorie Perloff.
Author
ISBN
9780226328492 (electronic bk.)
022632849X (electronic bk.)
9780226054421
022605442X
022632849X (electronic bk.)
9780226054421
022605442X
Published
Chicago : The University of Chicago Press, 2016.
Language
English
Description
1 online resource (xv, 204 pages) : illustrations, maps.
Item Number
40026013166
9780226054421
9780226054421
Call Number
PT3818 .P44 2016
Dewey Decimal Classification
830.9/9436
Note
"An earlier version of chapter 1 appeared as "Avant-Garde in a Different Key: Karl Kraus's The Last Days of Mankind," Critical Inquiry 40, no. 2 (Winter 2014): 311-38."
Bibliography, etc. Note
Includes bibliographical references and index.
Access Note
Access limited to authorized users
Reproduction
Electronic reproduction. Ann Arbor, MI Available via World Wide Web.
Source of Description
Description based on print version record.
Added Corporate Author
Available in Other Form
Original 022605442X
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Table of Contents
Introduction: the making of Austro-modernism
The mediated war: Karl Kraus's The last days of mankind
The lost hyphen: Joseph Roth's The Radetzky march
"The subjunctive of possibilities": Robert Musil's The man without qualities
Coming of age in Kakania: mother tongue and identity theft in Canetti's autobiography
The last Habsburg poet: Paul Celan's love poetry and the limits of language
Coda: becoming a "different" person: Wittgenstein's "Gospels."
The mediated war: Karl Kraus's The last days of mankind
The lost hyphen: Joseph Roth's The Radetzky march
"The subjunctive of possibilities": Robert Musil's The man without qualities
Coming of age in Kakania: mother tongue and identity theft in Canetti's autobiography
The last Habsburg poet: Paul Celan's love poetry and the limits of language
Coda: becoming a "different" person: Wittgenstein's "Gospels."