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Buddhist sexual contemporaneity
Nang Nak's Ghost wife: desire, embodiment, and Buddhist melancholia in a contemporary Thai ghost film
The ghost seer: Chinese Thai minority subjectivity, female agency, and the transnational uncanny in the films of Danny and Oxide Pang
Tropical malady: same-sex desire, casualness, and the queering of impermanence in the cinema of Apichatpong Weerasethakul
Making contact: contingency, fantasy, and the performance of impossible intimacies in the video art of Araya Rasdjarmrearnsook Coda
Under permanent exception: thai Buddhist-Muslim coexistence, interreligious intimacy, and the filmic archive.
Nang Nak's Ghost wife: desire, embodiment, and Buddhist melancholia in a contemporary Thai ghost film
The ghost seer: Chinese Thai minority subjectivity, female agency, and the transnational uncanny in the films of Danny and Oxide Pang
Tropical malady: same-sex desire, casualness, and the queering of impermanence in the cinema of Apichatpong Weerasethakul
Making contact: contingency, fantasy, and the performance of impossible intimacies in the video art of Araya Rasdjarmrearnsook Coda
Under permanent exception: thai Buddhist-Muslim coexistence, interreligious intimacy, and the filmic archive.