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000786274 020__ $$a9780822373995 (electronic bk.)
000786274 020__ $$a0822373998 (electronic bk.)
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000786274 043__ $$an-us---
000786274 050_4 $$aML3479$$b.T35 2016
000786274 08204 $$a781.64089/96073$$223
000786274 1001_ $$aTate, Greg,$$eauthor.
000786274 24510 $$aFlyboy 2 :$$bthe Greg Tate reader /$$cGreg Tate.
000786274 264_1 $$aDurham :$$bDuke University Press,$$c2016.
000786274 300__ $$a1 online resource (356 pages.)
000786274 336__ $$atext$$btxt$$2rdacontent
000786274 337__ $$acomputer$$bc$$2rdamedia
000786274 338__ $$aonline resource$$bcr$$2rdacarrier
000786274 504__ $$aIncludes bibliographical references (pages 343-345) and index.
000786274 5050_ $$a"Lust. Of all things. Black." -- The black male show -- Amiri Baraka -- Wayne Shorter -- Jimi Hendrix -- John Coltrane -- Gone fishing: remembering Lester Bowie -- The black artists' group -- Butch Morris -- Charles Edward Anderson Berry and the history of our future -- Lonnie Holley -- Marion Brown (1931-2010) and Djinji Brown -- Dark angels of dust: David Hammons and the art of streetwise transcendentalism -- Bill T. Jones: combative moves -- Gary Simmons: conceptual bomber -- The persistence of vision: storyboard P -- Manchild at large: one-on-one with Ice Cube, hip-hop's most wanted -- Wynton Marsalis: jazz crusader -- Thornton Dial: free, black, and brightening up the darkness of the world -- Kehinde Wiley -- Rammellzee: the ikonoklast samurai -- Richard Pryor: Pryor lives -- Richard Pryor Obit -- Gil Scott-Heron -- The man in our mirror: Michael Jackson -- Miles Davis -- She laughing mean and impressive too -- Born to Dyke: I love my sister laughing and then again when she's looking mean, queer and impressive -- Joni Mitchell: black and blond -- Azealia Banks -- Sade: black magic woman -- All the things you could be by now if James Brown was a feminist -- Itabari Njeri -- Kara Walker -- Women at the edge of space, time, and art: ruminations on Candida Romero's little girls -- Ellen Gallagher -- To bid a poet black and abstract -- "The Gikuyu mythos versus the Cullud grrrl from outta space": a Wangechi Mutu feature -- Come join the hieroglyphic zombie parade: Deborah Grant -- Björk's second act -- The golden age: Thelma Golden -- Hello Darknuss my old meme -- Top ten reasons why so few black women were down to occupy wall street plus four more -- What is hip-hop? -- Intelligence data: Bob Dylan -- Hip-hop turns thirty -- Love and crunk: outkast -- White freedom: Eminem -- Wu-Dunit: Wu-Tang Clan -- Unlocking the truth vs. John Cage -- Screenings -- Spike Lee's bamboozled -- It's a Mack thing -- Sex and negrocity: John Singleton's baby boy -- Lincoln in whiteface: Jeffrey Wright and Don Cheadle in Suzan-Lori Parks's topdog/underdog -- The black power mixtape -- Race, sex, politricks, and belles lettres -- Major's league -- The Atlantic sound: Caryl Phillips's the atlantic sound -- Apocalypse now: Patricia Hill Collins's Black sexual politics; Thomas Shevory's Notorious H.I.V.; Jacob Levenson's The secret epidemic -- Blood and bridges -- Nigger 'Tude -- Triple threat: Jerry Gafio Watts's Amiri Baraka; Hazel Rowley's Richard Wright; David Macey's Frantz Fanon -- Bottom feeders: Natsuo Kirino's out -- Scaling the heights: Maryse Conde's Windward heights -- Fear of a Mongrel planet: Zadie Smith's White teeth -- Adventures in the skin trade: Lisa Teasley's glow in the dark -- Generations hexed: Jeffery Renard Allen's Rails under my back -- Going underground: Gayl Jones's Mosquito -- Judgment day: Toni Morrison's Love and Edward P. Jones's The known world -- Black modernity and laughter, or how it came to be that n*g*as got jokes -- Kalahari Hopscotch, or notes toward a twenty-volume Afrocentric futurist manifesto.
000786274 506__ $$aAccess limited to authorized users
000786274 533__ $$aElectronic reproduction.$$bAnn Arbor, MI$$nAvailable via World Wide Web.
000786274 588__ $$aDescription based on print version record.
000786274 650_0 $$aAfrican Americans$$xMusic$$xHistory and criticism.
000786274 650_0 $$aHip-hop$$zUnited States$$xHistory and criticism.
000786274 650_0 $$aPopular music$$zUnited States$$xHistory and criticism.
000786274 7102_ $$aProQuest (Firm)
000786274 77608 $$cOriginal$$z9780822361800$$z0822361809$$z9780822361961$$z0822361965$$w(DLC)  2015049621
000786274 852__ $$bebk
000786274 85640 $$3GOBI DDA$$uhttps://univsouthin.idm.oclc.org/login?url=http://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=4616244$$zOnline Access
000786274 909CO $$ooai:library.usi.edu:786274$$pGLOBAL_SET
000786274 980__ $$aEBOOK
000786274 980__ $$aBIB
000786274 982__ $$aEbook
000786274 983__ $$aOnline