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Introduction
First and lasting: histories for the Tache
The impressionist advertisement
Photogénie from Renoir to Gance to Renoir
The "image of Africa" from Conrad to Achebe to Adichie
Impressionist fraud: Klein, Saito, Frey
Contemporary impressions, kitsch aesthetics: Kinkade/Doig
The pseudo-impressionist novel: Sebald, Cunningham, Tóibín
Thinking medium: the rhetoric of popular cognition
Conclusion.

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