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Table of Contents
Introduction: Shell shock and the World War I novel
Part I: Invisible wounds and narrative returns. Faces of battle in Mrs. Humphry Ward's wartime writing ; "Not yet diagnosed nervous" : Ford Madox Ford's Parade's End tetralogy
Part II: Fractured identities and forgotten histories. No separate peace : A Farewell to Arms as trauma narrative ; "Belated impress" : River George and African American shell shock
Part III: Troubling men and memorial fictions. Sepoy shell shock, Mulk Raj Anand, and the Indian World War I novel ; Traumatic topographies in Tender is the Night
Coda: Queer World War I : Isherwood and shell shock sexualities.
Part I: Invisible wounds and narrative returns. Faces of battle in Mrs. Humphry Ward's wartime writing ; "Not yet diagnosed nervous" : Ford Madox Ford's Parade's End tetralogy
Part II: Fractured identities and forgotten histories. No separate peace : A Farewell to Arms as trauma narrative ; "Belated impress" : River George and African American shell shock
Part III: Troubling men and memorial fictions. Sepoy shell shock, Mulk Raj Anand, and the Indian World War I novel ; Traumatic topographies in Tender is the Night
Coda: Queer World War I : Isherwood and shell shock sexualities.