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Introduction: public painting and visual culture in early republican Florence, 1282-1434
Paintings in the streets: tabernacles, public devotion, and control
Images of charity: confraternities, hospitals, and pictures for the destitute
Art and the commune: politics, propaganda, and the bureaucratic state
Pictures for merchants: the guilds, their paintings, and the struggle for power
Public painting in sacred spaces: piers and pilasters in Florentine churches
Murals for the masses: paintings on nave walls
Masaccio's Trinity and the triumph of public painting for common people in early republican Florence.

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