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Table of Contents
Machine generated contents note: SECTION I
1. Texts, Worlds, Stories: Narrative Worlds as Cognitive and Ontological Concept / Marie-Laure Ryan
2. Storyworlds and Paradoxical Narration: Putting Classifications to a Transmedial Test / Liviu Lutas
3. The Charge against Classical and Post-Classical Narratologies' "Epistemic" Approach to Literary Fiction / Greger Andersson
SECTION II
4. How You Emerge from This Game Is up to You: Agency, Positioning, and Narrativity in The Mass Effect Trilogy / Hanna-Riikka Roine
5. Playing the Worlds of Prom Week / Michael Mateas
6. Scripting Beloved Discomfort: Narratives, Fantasies, and Authenticity in Online Sadomasochism / J. Tuomas Harviainen
7. Storyworld in Text-Messages: Sequentiality and Spatialisation / Agnieszka Lyons
SECTION III
8. Defending the Private and the Unnarratable: Doomed Attempts to Read and Write Literary and Cinematic Minds in Marguerite Duras's India Cycle / Tytti Rantanen
9. Of Minds and Monsters: The Eventfulness of Monstrosity and the Poetics of Immersion in Horror Literature / Gero Brummer
10. Narrative Conventions in Hallucinatory Narratives / Tommi Kakko
11. Narrative and Minds in the Traditional Ballads of Early Country Music / Alan Palmer
SECTION IV
12. Mind Reading, Mind Guessing, or Mental-State Attribution? The Puzzle of John Burnside's A Summer of Drowning / Matti Hyvarinen
13. Mind as World in the Reality Game Show Survivor / Maria Makela
14. Performing Selves and Audience Design: Interview Narratives on the Internet / Jarmila Mildorf
15. Documenting Everyday Life: Mind Representation in the Web Exhibition "A Finnish Winter Day" / Mari Hatavara.
1. Texts, Worlds, Stories: Narrative Worlds as Cognitive and Ontological Concept / Marie-Laure Ryan
2. Storyworlds and Paradoxical Narration: Putting Classifications to a Transmedial Test / Liviu Lutas
3. The Charge against Classical and Post-Classical Narratologies' "Epistemic" Approach to Literary Fiction / Greger Andersson
SECTION II
4. How You Emerge from This Game Is up to You: Agency, Positioning, and Narrativity in The Mass Effect Trilogy / Hanna-Riikka Roine
5. Playing the Worlds of Prom Week / Michael Mateas
6. Scripting Beloved Discomfort: Narratives, Fantasies, and Authenticity in Online Sadomasochism / J. Tuomas Harviainen
7. Storyworld in Text-Messages: Sequentiality and Spatialisation / Agnieszka Lyons
SECTION III
8. Defending the Private and the Unnarratable: Doomed Attempts to Read and Write Literary and Cinematic Minds in Marguerite Duras's India Cycle / Tytti Rantanen
9. Of Minds and Monsters: The Eventfulness of Monstrosity and the Poetics of Immersion in Horror Literature / Gero Brummer
10. Narrative Conventions in Hallucinatory Narratives / Tommi Kakko
11. Narrative and Minds in the Traditional Ballads of Early Country Music / Alan Palmer
SECTION IV
12. Mind Reading, Mind Guessing, or Mental-State Attribution? The Puzzle of John Burnside's A Summer of Drowning / Matti Hyvarinen
13. Mind as World in the Reality Game Show Survivor / Maria Makela
14. Performing Selves and Audience Design: Interview Narratives on the Internet / Jarmila Mildorf
15. Documenting Everyday Life: Mind Representation in the Web Exhibition "A Finnish Winter Day" / Mari Hatavara.