000788588 000__ 01705cam\a22004331i\4500 000788588 001__ 788588 000788588 005__ 20210515131908.0 000788588 006__ m\\\\\o\\d\\\\\\\\ 000788588 007__ cr\un\nnnunnun 000788588 008__ 170626s2016\\\\nyu\\\\\o\\\\\001\0\eng\d 000788588 020__ $$a9781317359142 (electronic bk.) 000788588 020__ $$a1317359143 (electronic bk.) 000788588 020__ $$z9781138938663 000788588 020__ $$z1138938661 000788588 035__ $$a(NhCcYBP)EBS1174761 000788588 040__ $$aNhCcYBP$$cNhCcYBP 000788588 050_4 $$aTR899$$b.B47 2016 000788588 08204 $$a777/.5$$223 000788588 1001_ $$aBetancourt, Michael,$$d1970-$$eauthor. 000788588 24510 $$aBeyond spatial montage :$$bwindowing, or the cinematic displacement of time, motion, and space /$$cMichael Betancourt. 000788588 264_1 $$aNew York, NY :$$bRoutledge, Taylor & Francis Group,$$c2016. 000788588 300__ $$a1 online resource (xiii, 167 pages.) 000788588 336__ $$atext$$btxt$$2rdacontent 000788588 337__ $$acomputer$$bc$$2rdamedia 000788588 338__ $$aonline resource$$bcr$$2rdacarrier 000788588 500__ $$aIncludes index. 000788588 504__ $$aIncludes bibliographical references and index. 000788588 5050_ $$aIntroduction -- Realism -- Windowing -- Taxonomy -- Conclusions. 000788588 506__ $$aAccess limited to authorized users 000788588 533__ $$aElectronic reproduction.$$bIpswich, MA$$nAvailable via World Wide Web. 000788588 588__ $$aDescription based on print version record. 000788588 650_0 $$aMotion pictures$$xEditing. 000788588 650_0 $$aMotion pictures$$xAesthetics. 000788588 650_0 $$aCinematography. 000788588 7102_ $$aEBSCOhost 000788588 77608 $$cOriginal$$z9781138938663$$z1138938661$$w(DLC) 2015034071 000788588 852__ $$bebk 000788588 85640 $$3GOBI DDA$$uhttps://univsouthin.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1174761$$zOnline Access 000788588 909CO $$ooai:library.usi.edu:788588$$pGLOBAL_SET 000788588 980__ $$aEBOOK 000788588 980__ $$aBIB 000788588 982__ $$aEbook 000788588 983__ $$aOnline