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Introduction: progress without people
Unnatural time: Frank Norris at the cinema's beginnings
Naturalist historiography at the moving picture show: Frank Norris, D.W. Griffith, and naturalist editing
Made of leavings and scraps: Jack London, Jack Johnson, and racial time
Systems, not men: processes without people in utopian factory films and Charlotte Perkins Gilman's eusocial feminism
Epilogue: scaling up to modernism.

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