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Introduction: The post-war vocations of Evelyn Waugh
Deplorable design, divine providence: Brideshead Revisited and the callings of Charles Ryder
The plasticity of the human: the death of art in The loved one and love among the ruins
A single peculiar act of service: Helena and the stylish pilgrimage of factual faith
The man of letters in middle age: secular perdition and ecclesial art in Scott-King's modern Europe and the ordeal of Gilbert Pinfold
It's sauve qui peut now: art's death wish and charity's vocation in Sword of honour
Conclusion: The late art of Evelyn Waugh.

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