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000788948 020__ $$a9781472534583$$qelectronic book
000788948 020__ $$a1472534581$$qelectronic book
000788948 035__ $$a(NhCcYBP)EBS1280075
000788948 040__ $$aNhCcYBP$$cNhCcYBP
000788948 050_4 $$aTR642$$b.B47 2016
000788948 08204 $$a779/. 915244$$223
000788948 1001_ $$aBest, Susan,$$eauthor.
000788948 24510 $$aReparative aesthetics :$$bwitnessing in contemporary art photography /$$cSusan Best.
000788948 264_1 $$aLondon ;$$aNew York :$$bBloomsbury Academic,$$c2016.
000788948 300__ $$a1 online resource.
000788948 336__ $$atext$$btxt$$2rdacontent
000788948 337__ $$acomputer$$bc$$2rdamedia
000788948 338__ $$aonline resource$$bcr$$2rdacarrier
000788948 5050_ $$aCover page; Halftitle page; Series page; Title page; Copyright page; Contents; Illustrations; Acknowledgements; Introduction; 1 Guilt and Shame Current Debates in Affect Studies; The current debate: shame and anti-intentionalism; Leys and Sedgwick: points of convergence, psychoanalysis and affect theory; Guilt and shame about the past; 2 Witnessing Fever; Witnessing: from oral testimony to watching the news; Identification and non-identification; 3 Shame and the Convict Stain Anne Ferran's Lost to Worlds; What remains: the heritage of convict women
000788948 5058_ $$aLost to Worlds : shame, guilt and reparationAftermath images and witnessing; 4 Fiona Pardington Colonialism and Repair in the Southern Seas; Colonialism, postcolonialism and voyages to the Southern Seas; Presence, occluded vision and witnessing; Life aesthetics, mortuary aesthetics: reparation and the redemption of damaged life; 5 Rosângela Rennó' Little Stories of the Downtrodden and the Vanquished'; Immemorial : Brasília, capital of hope, cruel utopia; Corpo da Alma: pictures of people holding pictures; 6 Our Dark Side Milagros de la Torre's The Lost Steps
000788948 5058_ $$aThe testimony of objects: war and crime in a time of fearDark enlightenment: perversion, shame, shock; Conclusion; Notes; Bibliography; Index
000788948 506__ $$aAccess limited to authorized users
000788948 533__ $$aElectronic reproduction.$$bIpswich, MA$$nAvailable via World Wide Web.
000788948 588__ $$aDescription based on online resource; title from digital title page (viewed on August 18, 2016).
000788948 650_0 $$aPhotography, Artistic$$xHistory and criticism.
000788948 650_0 $$aPhotography, Artistic$$y21st century.
000788948 650_0 $$aShame.
000788948 650_0 $$aEmotions in art.
000788948 650_0 $$aPolitics in art.
000788948 7102_ $$aEBSCOhost
000788948 77608 $$iPrint version:$$aBest, Susan$$tReparative Aesthetics : Witnessing in Contemporary Art Photography$$dLondon : Bloomsbury Publishing,c2016$$z9781472529787
000788948 852__ $$bebk
000788948 85640 $$3GOBI DDA$$uhttps://univsouthin.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1280075$$zOnline Access
000788948 909CO $$ooai:library.usi.edu:788948$$pGLOBAL_SET
000788948 980__ $$aEBOOK
000788948 980__ $$aBIB
000788948 982__ $$aEbook
000788948 983__ $$aOnline